Thursday, August 14, 2025

Fossil by Angelo R. Lacuesta - Love Stories Series #4

 


From Cecilia Brainard: I am proud to share ANGELO R. LACUESTA'S short story, FOSSIL. This is part of my Love Stories Series featured in my blog.  Fossil first appeared in Sarge's collection CORAL COVE AND OTHER STORIES (UST PH 2017).  It was also published in Santelmo Journal (2025). All articles and photos are copyrighted by the individual authors. All rights reserved. This is featured in my blog with permission from the author. 

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ANGELO R. LACUESTA is a fictionist and novelist who also writes screenplays and essays. He has written more than ten books and two screenplays, and has won many national awards for his writing. He has represented the Philippines at numerous literary and film festivals and conferences. He is the current president of the Philippine Centre of PEN (Poets, Essayists, Novelists) International. 


His most recent book is the novel JOY, published by Penguin Random House SEA in 2022. In 2024 he wrote and produced the film “An Errand,” based on a short story he wrote, for the Cinemalaya Film Festival. It was selected as part of the Bright Futures section of the International Film Festival Rotterdam (IFFR). His upcoming novel IRÔ (Milflores, 2025) was selected as one of 10 novels to be presented for possible film adaptation at the “Books at Berlinale” section of the  2025 Berlinale Film Festival. In 2025, “Song of the Fireflies,” a film he also wrote and produced, had its international premiere at the Manila International Film Festival in Los Angeles, California. 

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FOSSIL

Copyright by Angelo R. Lacuesta. All rights reserved.

 

WHENEVER EMILIANO DATOY was drunk he stood up and declaimed in straight English how he had served, as a young boy, at meetings of town elders during the years before the war. The elders he had served themselves had served at the councils in their younger years, in Spanish times and then American times, entertaining traders, envoys and soldiers passing through Nueva Florencia, which had always been a dismal halfway town between the busiest of the island’s ports.

But I remember that when he was sober, Datoy spoke only Bisaya and could not even eat unattended, and he saved his feeble voice for when he needed it to carry from the veranda where he liked to sun himself, across the second floor living room, to his great-grandniece’s bedroom.

She appeared shortly, a dark young girl in her teens dressed in a batik house duster, carrying with two hands a thick, heavy, rectangular thing wrapped in the kind of velvet they used to cover statues on Black Saturday. Upon the old man’s croaked order, the woman swept the velvet curtain aside to reveal a block of black, stony wood bearing the smoothened etching of a winged figure. Dr. Hill drew a small gasp of awe from his throat and we bent forward to inspect the image, our heads softly colliding in the process. There were other things: vertical shapes etched around the figure possibly representing humans, and below it an inscription in badlit.

“Pre-Hispanic,” she said, when the old man nudged her ribs with an arthritic knuckle, which then pointed at the inscription. “The dragon of the swamps,” she translated, and Datoy’s folded hand sprung into a triumphant V and dropped to his side where he’d kept a bottle of gin handy, which he seemed intent to nurse into the afternoon. 

Dr. Hill remained silent but I know that by now he had begun to harbor a distrust toward the situation, his voice caved-in with exhaustion when he followed up with the old man about the tooth fragment. I was sure it was the heat, too. Datoy barked and sent the girl swishing out on bare feet to return with what looked like—and was soon proven to be—a two-inch tooth fragment. This she surrendered to us, depositing it into a piece of bubble wrap we had prepared specifically for this purpose.

Dr. Hill inspected the specimen while trying to express all due respect. It was Datoy himself who had started everything. He had seen my photo in a press release in the Daily Freeman announcing my scholarship in London and cut it out, A photo of the tooth-chip was stapled to a letter, written by the girl, explaining how she had discovered it while she had been playing in the dusty hillsides that surrounded their town.

 

Tuesday, August 12, 2025

Now available at Amazon - How I Became a Writer

 


𝘏𝘰𝘸 𝘐 𝘉𝘦𝘤𝘢𝘮𝘦 𝘢 𝘞𝘳𝘪𝘵𝘦𝘳: 𝘌𝘴𝘴𝘢𝘺𝘴 𝘣𝘺 𝘍𝘪𝘭𝘪𝘱𝘪𝘯𝘰 𝘢𝘯𝘥 𝘍𝘪𝘭𝘪𝘱𝘪𝘯𝘰 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘞𝘳𝘪𝘵𝘦𝘳𝘴 is now available on Amazon! The book is edited by Cecilia Manguerra Brainard and features 22 personal stories by writers of diverse backgrounds, each reflecting on how writing has shaped their lives.

Click on the link and get your copies now: https://www.amazon.com/dp/B0FLYNP1KC 

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The 22 Contributors are: Merlie Alunan, Cecilia Brainard, Ian Casocot, Linda Ty-Casper, Aileen Cassinetto, Neni Sta. Romana Cruz, Jose Dalisay, Noelle de Jesus, Allan Derain, Migs Bravo Dutt, Yvette Fernandez, Caroline Hau, Luisa A. Igloria, Kristian Kordero, Paulino Lim, Jr., Tony Perez, Elmer Pizo, Joel Pablo Salud, Eileen Tabios, John Iremil Teodoro, John Jack Wigley, and Hope Sabanpan Yu.

PRAISE: 

How I Became a Writer: Essays by Filipino and Filipino American Writers offers intimate, fine-grained accounts in the making of what constitutes contemporary Philippine literature, provided by a remarkable set of Filipino writers in the Philippines and abroad, It is a book to be treasured. ~ Resil B. Mojares, Philippine National Artist in Literature.


Tags: Philippine writers, Filipino authors, Filipino books

Thursday, August 7, 2025

The Virgin's Last Night by Cecilia Manguerra Brainard - Love Stories Series #3


 
Cecilia Manguerra Brainard, photo by Doreen Stone

 

From Cecilia Brainard: I am sharing my story, THE VIRGIN'S LAST NIGHT,  as part of my Love Stories Series featured in this blog. Earlier stories posted include Nikki Alfar's THE MECHANISM OF MOVING FORWARD and Geronimo Tagatac's  A SIMPLE GRACE.

My story, THE VIRGIN'S LAST NIGHT, was inspired by an unmarried aunt whose beau from her youth came around late in their lives, when he was a widower, and she still unmarried. She had spent most of her life taking care of her younger unmarried sister. In Cebu, they were referred to as the Old Maids living on Mango Avenue. My aunt sent the man away, ridiculing him (her nieces and nephews assumed) -- Are you out of your mind? At our age?

One day when I was already writing stories, I remembered my aunt and her old beau, and I wrote the “The Virgin’s Last Night.” The story flowed, with few revisions. 

This story first appeared in Going Home to a Landscape: Writings by Filipinas (Calyx Books); it also appeared in Growing Up Filipino II: More Stories for Young Adults (PALH & UST PH. It is part of my short story collection, Vigan and Other Stories (Anvil), and my Selected Short Stories (PALH and UST PH).

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BIO: Cecilia Manguerra Brainard is the author and editor of over 22 books. She has written three novels: When the Rainbow Goddess WeptMagdalena, and The Newspaper Widow. Her recent books include her Selected Short Stories and Growing Up Filipino 3: New Stories for Young Adults. Two books she edited were released in 2025: How I Became a Writer: Essays by Filipino and Filipino American Writers, and Step Into Our Kitchens: Theresian Recipes and Tales.

She has forthcoming translations in Greek, Japanese, Portuguese, Macedonian, Arabic, Serbian, Slovenian and Azerbaijan, in addition to earlier translations of her work in Turkish and Finnish.

She received an Outstanding Individual Award from Cebu, a California Arts Council Fellowship, a Brody Arts Fund, several travel grants from the US Embassy, National Book Award, Cirilo Bautista Prize, travel grant from the National Book Development Board, and others.

Cecilia taught at UCLA, USC, California State Summer School for the Arts, and the Writers’ Program at UCLA Extension. She served as Executive Board member and Officer of PEN, PAAWWW (Pacific Asian American Women Writers West), Arts & Letters at the Cal State University LA, PAWWA (Philippine American Woman Writers and Artists), among others.

She also runs a small press, PALH or Philippine American Literary House (palhbooks.com). Her official website is https://ceciliabrainard.com. 



THE VIRGIN’S LAST NIGHT

Copyright by Cecilia Manguerra Brainard. All rights reserved.

 

FOUR MONTHS AFTER PETRA SANTIAGO DIED, and the night before her own death, Meding Santiago got out of bed, reached for her rosary by the side table and started reciting the Creed. It was almost midnight, and she was saying the rosary that Thursday for the second time. Since Petra died, she slept poorly, her mind fixed on the image of her younger sister on the hospital bed, waving her bony fingers in front of her face before she finally stopped breathing. Sometimes she would forget that Petra was gone, and she would pour another cup of hot chocolate or turn to say something to no one, and she would be surprised at the depth of her grief.

She was on her knees, with her eyes closed, when she heard a soft knock on the door. She rose and walked to the door. She opened it, expecting one of the servants, and was surprised at the figure of an old man. It took Meding a second before she caught her breath and said, “Mateo, what are you doing here? You’re dead.” 

“Here to see you, Meding. It’s been a long time,” replied Mateo, standing first on one foot, then shifting his weight to the other, a man embarrassed.

“Well,” Meding said, clutching her nightdress at the collar, uncertain about what to do, what to say, uncertain about her sanity at the moment.

“You’re not crazy,” Mateo went on. “I’m dead.  I know, it’s strange, but that’s how it is sometimes. I have to get back before sunrise.”

“Oh,” Meding said, accepting this explanation with some kind of relief. Ever since her sister’s death, life had taken on the quality of a dream, and Mateo’s presence was just another strange event. She squinted at the figure by the doorway. “You’ve gotten old, Mateo,” she said, “and paunchy too.”

“You’re just as beautiful.” Mateo hung his head the way he used to as a young man, many years ago.

Meding laughed and walked over to the armoire mirror to study her image. “Mateo, you and I know I’m no spring chicken.

Friday, August 1, 2025

A Simple Grace by Geronimo Tagatac - Love Stories Series #2





From Cecilia Brainard: I am proud to share GERONIMO TAGATAC'S short story, A SIMPLE GRACE. This is part of my Love Stories Series featured in my blog.  All articles and photos are copyrighted by the individual authors. All rights reserved. This is featured in my blog with permission from the author. 

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GERONIMO TAGATAC'S father was from Ilocos Norte.  His mother was a Russian Jew. Geronimo has been a Special Forces soldier, a legislative consultant, a dishwasher, cook, folksinger, computer system planner, a modern and jazz dancer and a roofer.  His short fiction has appeared in Writers Forum, The Northwest Review, Alternatives Magazine, Orion Magazine, The Clackamas Literary Review and The Chautauqua Literary Review.  He’s received fellowships from Oregon Literary Arts and Fishtrap. “Summer of the Aswang,” received the 2017 Timberline Award for short fiction.  Geronimo's short story, "Hammer Lounge" is part of Growing Up Filipino II: More Stories for Young Adults, collected and edited by Cecilia Brainard. His first book of short fiction, The Weight of the Sun, was a 2007 Oregon Literary Arts finalist. 

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A SIMPLE GRACE

Copyright by Geronimo Tagatac, all rights reserved



CATHERINE, C.K. HER FRIENDS CALLED HER, would later tell him that the way he moved when he made his way between the row of lecture hall seats and the way he sat himself down without the help of his arms is what drew her interest. The very simplicity of his gracefulness touched something in her.  

        C.K. saw him the following Friday evening, in the Interlude Bar. She’d gone there with Charles, a grad student who was ten years older than her. He was chummy with the younger faculty members who frequented the place. Marco was chatting with the woman bartender and, at one point he said something to her that made her laugh. C.K. was sure he knew that she was watching him by the way he sat, half turned toward her on his bar stool as though he could hear her through the clutter of conversation punctuated by the occasional raised voice or wave of laughter. She was almost sure that he would hear her if she spoke to him across the space between them.

            Marco felt her swift glances, returning them with his own in which he took in her thick straight brown hair cut square several inches below her shoulders. He guessed she was not much more than five-feet-two inches tall.  He noticed her light-colored eyes behind her wire-rimmed glasses, the black turtleneck sweater, and wide-legged pants of a fabric that softened the shape of her legs. He watched her leave with her companion but noticed she didn’t hold his hand or lean into him in that way lovers do, and that rubbed away some of his envy.