Dear Readers,
For your weekend reading, we have a Guest Blogger, BrianAscalon Roley, who writes in several genres. His novel AMERICAN SON (W.W. Norton)
received the 2003 Association for Asian American Studies Prose Book Award and
was a Los Angeles Times Best Book, New York Times Notable Book, and Kiriyama
Pacific Rim Prize finalist among other honors. He has been a Visiting Fellow at
the University of Cambridge and is currently Associate Professor of English and
Creative Writing at Miami University of Ohio. More information can be found at
his website www.brianroley.com
Enjoy his story, "Old Man."
Cecilia
Enjoy his story, "Old Man."
Cecilia
A note on this story’s origins. This story is a
sequel of sorts to my novel, American Son (W.W. Norton), so let me begin there.
Back in the early 1990s, I returned to Los
Angeles after living for years in Connecticut and London. I found a city
transformed. This was the era of the Rodney King Riots. This was a time of
racial tension; gangs of one race or ethnicity would target bystanders of other
races on the streets in Venice. This was a time of gang wars in which they
became a sort of fashion among teens, even spreading to suburban high schools.
It was an odd return after living in the London neighborhood of Camden Town.
I noticed that some of my younger Filipino and
half Filipino relatives were adopting some of these fashions, but what
particularly interested me was one boy who joined a Chicano gang, even passing
as Mexican and hiding his Filipino heritage from his friends.
These young relatives showed up to family
parties dressed up as Latino gang bangers, much to the bewilderment of our
older relatives.
I knew this was a novel. It reminded me of the
long tradition of American immigrant literature, such as Irish and Jewish and
Latino, with their classic themes of identity and assimilation. But with a
twist. In those novels the children, as they grew older, tried to fit into the
dominant white Anglo-Saxon culture; but in this case, instead of trying to be
white, my relatives and others reflected a changing society and demographic.
Their attempts to assimilate into a minority culture other than Filipino
puzzled our older relatives greatly. In an odd way, the sense of shame at being
Filipino seemed greater in such an act than if they’d tried to fit in with a privileged
class.
So I wrote the novel. I invented fictional
characters, but used the situation, and drew on my own emotional autobiography
to breathe authenticity into the characters’ emotional landscapes.
The New
York Times editors, in the Notable Books list, described American Son in this way:
“Two Half-Filipino brothers can pass for white,
their mother cannot; painful conflicts are in store for everybody in this
complex exploration of racism in California, starting in 1993, a year after the
Rodney King Riots.”
But Tomas’s passing as a Mexican gangster, to
me, was an essential aspect.
That novel got lucky. Perhaps partly because it
received the Association of Asian American Studies Prose Book Award, it’s been
taught in many college and high school classrooms, and I’ve been blessed with
the opportunity to speak to many students about it. What really surprised me was
the interest in the narrator’s older brother, Tomas. He is a rather brutal
person, both in terms of his verbal abuse of the younger brother, Gabe, and in
the violence he commits in the novel. Like Gabe, Tomas is half Filipino, half
white. He has a strong streak of self-hating racism. And he belongs to a gang.
He beats people, steals, cheats. He belittles his mother’s culture. Even his
close friends think he is Mexican.
To be honest, I was afraid of publishing a book
with such a character (especially because of his final violent acts, which I
can’t give away without spoiling the book’s surprise ending). So I was shocked
that so many readers found him the most interesting character. Many students even
seemed to like and defend him. I asked myself: Why? On reflection, I think it's
partly because he is so protective of his shy mother. His anger, his drive, his
yearning, his outrage on her behalf, drive the climax of the book and stoke
some sort of primal urge to protect family at all costs.
But there could be more to it, and I wanted to
figure that out. I decided to write from this character’s point of view, and
“Old Man” is one result. (There is also a novel in the works.) The truth is, I
found him compelling myself; after all, I had drawn on my own emotional
autobiography to breathe emotional complexity and veracity and life into this
character, as I do with all characters, good and bad (most honest writers do).
"Old Man" grew out of my attempt to
flesh out Tomas’s relationship with the absent father. I felt that the father
had a lot to do with understanding his lost and brutal adolescence, his pain
and drive and yearning. I'm very fond of this story and thankful to Cecilia for
asking me to send her a story for Growing Up Filipino II. If she hadn’t,
I might never have finished it in this form.
~~~
OLD MAN
by Brian Ascalon Roley
copyright by Brian Ascalon Roley, all rights reserved
Late last year my father, a man whom I had not seen in many years, slit his wrists in an unfurnished apartment on the dry dusty foothills of Mariposa County. A nurse from the hospital called to inform me that my father was recovering and under suicide watch, and suggested I come over.
He
looked so gaunt there, in his hospital bed, his knobby knees visible beneath
the thin sheets. He looked so different than the young handsome man I
remembered, who’d left us for a mistress and filed for divorce right after
running up a credit card debt and filing for bankruptcy. He’d just bought
matching BMWs for himself and his girlfriend, an Argentinean dentist whose
snooty exiled family lived in Beverly Hills. His wavy Italian hair, his dimples
that charmed so many women, the soldier’s hardened arms—none of it here now on
the man before me. His skin had become ashen gray, his hairline receded to show
a freckled sallow scalp, his arms scrawny and biceps gone to flab. His eyes
seemed larger now, vulnerable in their sockets, as they looked needily up at
me.
Hey
Tomas, thanks for showing up, he said. How’d you know I was here?
The
nurse called.
I
didn’t tell her how to reach you, didn’t want to subject you to this, he said.
I
know, I said, not calling him on his lie.
He
glanced away, then back again.
You
look good, he said. His smile caused his face to wrinkle, like piecrust that
took effort to move.
Why’d
you do it?
I’m
sorry.
He
looked away to stop himself from crying. I worried that I would irritate him that
way and changed the subject. What you been up to? I asked. You living in
Southern California again?
Yeah.
For the last two years.
You
didn’t like New York?
It
didn’t work out.
The
nurse said you’ll be fine. You’ll be able to leave here in no time.
Yeah,
they wanted to release me into your care. I refused to let them do that. They
just don’t want the responsibility.
What
about Mercedes?
She
left me. A year ago.
I
nodded. What have you been up to work wise?
I’m
an optometrist.
No
shit.
Yeah,
it’s true. Can you believe it? He reached over to his bedside table and took up
a pair of reading glasses from their case. He placed them on his face. They
looked expensive with wire rims and a contemporary design but their
youthfulness made his skin look haggard.
I
got these at a discount, he said.
Do
you need anything?
He
hesitated.
What?
Is
Gabe around? he asked.
No.
Where
does he live?
He
still lives with Mom. With his girlfriend and daughter in the main house. I
live in a bungalow cottage—a shed really—I built out back. We’re all together.
My
father’s face changed. Gabe didn’t want to come here, I said.
But
you did.
I
came.
That’s
what I meant, he said. Thanks.
I
gave no reply.
Gabe
is the one I’d thought would have come, he said.
I
know it.
He
nodded. He pushed his wire rimmed glasses, which seemed too large for his gaunt
formerly handsome face, up on his nose. This made him squint and I noticed a
permanent vertical furrow dividing his forehead. He said, You’ll come back
tomorrow?
*
On my drive back to Venice, on Los
Angeles freeways that bottlenecked near the glistening skyscrapers of downtown,
beneath an azure sky wind-scoured from last night’s Pacific Ocean storm, I was
thinking about this man I called my father. And I happened to hear an old Neil
Young song on the radio, “Old Man.” I had loved the melancholy banjo and slide
guitar and feeble voice, but never paid attention to the lyrics before. But I
caught them now, and the hair stood on the back of my neck.
Old Man take a look at my life
I’m a lot like you
I need someone to love me the whole
day through
Old man take a look at my eyes and
you can tell that’s true
Hands on the wheel, I froze.
Gripped tight. Images arrested me of my son hugging my leg, tightly pushing his
face against my side, saying, Please don’t go, stay and play with me.
I’ve
got to go, Em. I have to work.
He
clung. Please.
The
desperateness of his voice, the wide eyes. He could read me. He’d see my
hesitation, my weakness, and his charming smile came in for the kill, with the
lower lip threatening to push out into a cry. And I’d reach down and hug him. I
had to go to work, but I’d stay and play his game of Candyland, help finish
assembling the Lego castle, push Percy around the Thomas The Train set.
You
would not think I was like him by looking at my life, my lonely bungalow, its
empty bed, all my nights alone.
But
my father. You could look at his life, when I was a kid, and see the old man in
the song with that thirsty need. I recalled an image of Dad in bed, wearing his
robe, face looking haggard from a bad hangover, yet still young and handsome,
as I stood in the door with my backpack.
Don’t
go, he said.
I
have school.
You
don’t need what those idiot teachers tell you in those stupid books. You think
they have something to share with you, some knowledge to pass on that I don’t?
How many of them have PhDs? Not that my doctorate is good for shit, but you got
to wonder about a person like that why they didn’t go for one—a teacher.
Really,
I have to go.
Don’t
leave me here. Come on. We’ll hit the boardwalk, have some ice cream, walk down
to the ocean.
I
nervously clutched my bag straps. I’ll get in trouble if I cut class.
I’ll
write them a note.
We’ve
done this too many times already this year. I’ve hit my limit.
All
right, then. Don’t come if you don’t want to.
He
turned away from me, lips pursed angrily. He faced the wall. He touched his jaw
as if someone had punched it with a sledgehammer.
We
can go to the boardwalk after I get out of school, I said. I’ll skip basketball
practice.
Don’t
bother. I know you don’t want to.
I
do want to.
Maybe
Gabe will want to come with me. We’ll go fishing.
We
ended up going on a deep sea fishing trip off Marina Del Rey. I was suspended
for truancy, but I’d caught ten fish with my father. He taught me how to bait
the hooks, reel them in, put the flopping creatures out of their misery by
holding them still against the deck in their rucksacks and hammering their
heads. He seemed alive now, no sign of his morning funk, his face boyishly
smiling, his blue eyes large as Easter eggs, full of contagious spark.
And
then, after the divorce, he often came by to take me fishing. He would leave my
brother behind. Gabe would sit on the couch with his hands on his lap, muscles
tensed, shoulders hunched forward, staring at the carpet, as I got the gear
ready and stacked by the front door. Waiting for Dad to arrive. I looked
eagerly out the window, at the grainy predawn light, the ghostly outlines of
the street. When he pulled up in his black convertible Saab, I gathered up the
gear and hurried out the front door so he wouldn’t have to come in and rub it
in Gabe’s face.
You
could go for years like this, as a kid, and be thankful for a few days a month
or summer. To drink in your time with your father. But I got older and began to
see things different, began to unforgive him for what he had done to our
mother, how he made her cry, how she couldn’t face her extended family for
months and avoided the fiestas and barbeques. How we could not even rent movies
at the Odyssey because we could not get a credit card because the man had filed
for bankruptcy right before the divorce. How our house took on a mildewy odor
because his old fish tanks broke one night, splaying algae-ridden water and
baby octopus and sea urchin and tiny shark over the blue carpet, along with
bright flopping tropical fish, carpet we could not afford to replace. Mom
stayed up all night trying to shampoo and scrub the smell away, but gave up
near dawn, crying over the orange bucket, and entered a funk she would not get
out of again; I latched the door to his old hobby room and plastered the gap
along the floor, but the stink still seeped out to the rest of the house. I’d
wake up from dreams thinking I could feel the residue of seawater on my skin,
which was sticky to the touch.
I
stopped returning his calls, and right away he began taking Gabe on our old
outings. He took him fishing and camping up into the Sierra Mountains. They
surfed together. He’d come back smelling of boardwax and salt, of kelp that had
washed up on shore and warmed in sunlight, sand that he tramped off on our
carpet. They went on road trips to Mexico, Santa Fe, a visit to family out in
New York. Me, I would not even talk to family on his side. They were all NY
Italians; I spent all my family time with the West Coast Filipinas eating
sizzling adobo spooned onto steaming rice, crisp lumpia, and empanadas baked
with crunchy sugar on their brown crusts.
On
my brother’s eighth birthday, my mother threw Gabe a party. She invited all the
kids at his school, made the invitation cards herself using parchment paper,
colored inks, shapes of cakes and candles cut delicately out of colored tissue
paper. She dressed up our house with confetti, bright streamers, hung a piƱata
in the yard which she had splurged to buy on Alvarado Street. She bought little
gifts for the kids, candies and toys wrapped in small plastic pumpkins. She
made the cake herself, yellow with purple ube frosting—my brother’s favorite, a
sweet Filipino root.
The
kids were to arrive at noon. Mom hurried about the house making last minute
preparations, fretting because she wanted everything to be perfect for the
kids, and because she worried about what the white American mothers would think
of our little house, the ube frosting, the gift packs, the lunch she’d made.
Nobody likes Filipino food, she fretted.
You
don’t know that, I said.
All
our restaurants go out of business, she insisted. You can find Thai, Chinese,
Japanese, Korean everywhere—everything but Filipino! She wrung her hands and
shook her head. Maybe I shouldn’t have made lumpia and adobo. Maybe I should have
made BLT sandwiches instead.
I
reassured her it would be okay.
At
ten the doorbell rang. Someone’s early! my mother panicked.
I
set my hand on her shoulder, squeezed it reassuringly, and went to answer it. I
opened the door and was shocked to see my father standing there. He wore a
tailored black blazer, ink blue designer jeans, maroon silk shirt, and wing tip
shoes, which I noticed looked expensive. Yet his hair had grown out, and he had
a scruffy beard that pressed uncomfortably against his expensive collar as if
it felt confined.
What
are you doing here? I said.
Nice
to see you too, son, he said. Can you get Gabe?
My
mother came up behind me. Russ?
I’m
here to bring my son to his birthday lunch. I made reservations at The Ivy.
He
can’t come, I said.
It’s
his birthday. I’m his father. You had him for breakfast and will have him for
dinner. It’s a Saturday.
We
talked about this, Russ, Mami said. He’s having a party.
You
didn’t invite me.
It’s
a kids’ party.
Well,
I can see I’m not welcome.
Don’t
be like this. Please.
He
pursed his lips and turned aside, fingering his shirt button as if to keep up
his dignity. Just get Gabe so I can talk to him, wish him a happy birthday.
My
mother hesitated, sensing ulterior intentions. She looked at me warily for
help.
He’s
getting ready, I said. Why don’t you come back later?
I
live an hour away.
Dad,
you didn’t come by last week. You were supposed to take him fishing.
No,
not last week I wasn’t.
Yes
you were, I insisted. He was waiting for you all morning. He sat there on the
couch, with his rod assembled and his tackle box at his feet. He refused to eat
Mom’s eggs, because he said you and him always stopped by MacDonald’s for
breakfast. He didn’t eat or put his rod away until two.
Well,
then he got his facts wrong, my father said: Why didn’t he call me? Why didn’t
you call me?
Russ,
my mother said.
He
should have called rather than sitting around worrying everybody. Get him here
so I can have a talk with him.
Russ,
please. Mami was chewing on her knuckles; she glanced at the front lawn through
the window, then at her watch. The other children and their mothers will soon
be here, she said.
He
stared at her harshly. You don’t want them to meet me?
I
don’t want Gabe to get upset before the party. You know how long it takes him
to recover.
My
father nodded as if in agreement. Then he fumbled with his shirt button again,
deep in thought, and shook his head. You’re embarrassed of me.
No,
Russ.
Listen
here. You aren’t married to me anymore. And I am the boy’s father. You have no
right to be embarrassed of me. That’s not your role anymore. Not your right.
He
was pacing now, scratching his overgrown beard. It had really gone shaggy, with
white ends.
Dad,
why don’t you get out of here, please.
He
turned on me with a gaze that burned. My cheeks caught fire. He kept his eyes
on me for an excruciating moment, then, with the manner of the insulted, he
turned down the hall to find Gabe. And I did not go after him. He’d always done
demonstrative little gestures when he got drunk and felt Mami was afraid he’d
embarrass her; on a trip out to Manila for my cousin’s debut, at the Makati
Polo Club, he had had too much to drink and tried dancing up her teenage
friend, only to stumble over a banquet table and spill punch and liquor over a
dozen dresses and white barongs.
I
turned to my mother, worried that she’d be crying. But she seemed too busy
worrying, glancing back and forth between the front window and then around the
room at the party’s preparations. The table laid out with festive shimmering
purple table cloth and sparkling gold center pieces, the colorful streamers
hanging from the walls, the yellow HAPPY BIRTHDAY GABE! banner, the balloon
clusters pressing up against the ceiling, their strings dangling ready to be
taken as a party favor by the little guests.
Against
the opposite wall, we’d placed a portable banquet table, covered it in the
festive tablecloth, and set dish upon dish of Filipino foods, covered in foil
and condensation-beaded cellophane wrap. All cooked for the parents.
To
be honest, I felt a little embarrassed that the other mothers would see how
much effort Mami put into this, given how few mothers would probably be here.
Usually at these parties, several fathers would drop off their kids and
disappear to run errands until the ending time. Mami had fretted over this
party for weeks, because she knew Gabe was quiet and had few friends. He had
seen a speech therapist and there’d been talk of keeping him back a year, and
some professional debate among his therapists and teachers over whether he was
developmentally delayed or simply exposed to too much Tagalog (Mom’s sister,
brother and mother often ate with us and always talked in Taglish). It was
decided that the family should try speaking only English. Now, Gabe and I could
no longer speak the language, though we could understand it, but less well each
year, like memories of old friends and places that fade no matter how hard you
try to cling to them by going over them in your mind.
Look,
Tomas, it’s Nela and her mother!
Mami
was at the window, but I nudged her to back away so that the approaching pair
would not see her looking out.
We
waited by the front door for them to knock. She was clenching her elbows tight.
Relax,
Mom. Everything looks great.
I
hope everyone shows up.
They
RSVP’d.
I
know. But there’s been so many birthday parties already this fall. Maybe people
will change their mind.
Why
don’t you open the door? I suggested.
Let’s
let them knock first, she said.
So
we waited. Maybe we should get Gabe, she said. But she made no move to go back
there.
If
we go back there now, Dad might come out here and make a scene, I said. Maybe
we should let him say what he wants to say, and then I’ll go back and try to
get him to go out the back door.
You
think he will?
Sure,
I said uncertainly.
She
looked at me doubtfully, then jumped at the sound of the door knocking. But she
put on her best social face and greeted Nela and her mother, a South Asian
woman in completely western clothes and manner. My mother, unlike most
Filipinas I know, was not a gregarious person and you could see the effort in
her anxious smiles, as she led the girl to the play area she’d set up. She
chatted with Nela’s mother for a moment, but seemed to struggle with small
talk, and glanced at me with pleading eyes, asking me to go back and check on
Gabe.
As
I went into the hallway, I heard the doorbell ring and the voices of more kids
and parents entering.
Our
house is rather narrow and long, because the rear was originally a screened
porch and you have to access it through a separate hallway closed by two doors.
The party voices became muted behind me and I could hear my brother and father
talking, as I stood outside Gabe’s door. My father sounded unhappy with him,
but also a bit eager to please. I knew that tone. It meant that he did not want
to be alone.
Stiffening,
I forced myself to knock. Father’s voice hushed, a needling silence, followed
by an irritated, Yes?
I
nudged the door open. They looked at me: Gabe was standing and my father sat on
the edge of my brother’s bed.
We’re
having a talk, Tomas, father said.
Your
friends are beginning to arrive, I told my brother.
We’ll
be out in a few minutes, our father said.
Gabe
was avoiding our eyes, staring at the avocado carpet.
Actually,
if you don’t mind using the back exit, I think that would be best.
You
think that would be best.
Yeah.
You’re
a twelve–year-old boy. Twelve-year-old boy’s don’t talk like that, he said. He
made no move.
Mom
put a lot of effort into this party. You’re not going to ruin it, I said. My
voice was trembling. My hands at my sides shook too.
Fine.
He suddenly stood. Come on, Gabe. We’ll go out the backdoor. We’ll skip this
clam bake. After the Ivy, we’ll head down to San Clemente and do some shore
fishing. Get your rod and tackle box.
He
started for the backdoor, and looked back for my brother to follow him. Gabe
hesitated. But my brother noticed our father’s face begin to crumble and he
went over to his closet and got out his rod and tackle box.
Gabe,
I said. What are you doing?
He
avoided my eyes, both of our eyes, as he began to fit the pieces of his rod
together. He was kneeling to screw them tight, keeping his face away from us,
and I thought he was crying. He finished assembling the rod, but stopped there.
I thought he was deciding to stay. We were all quiet. We could all hear the
muffled party noise coming in, the laughing kids and gossiping mothers, even
the lower sound of somebody’s father telling some boisterous joke. I had told
my mother to buy a case of fine beer for the parents, and maybe that was
working.
My
brother needed a nudge. I approached him to put the rod back in the closet, got
my hand on the pole’s thin spry surface. It was an expensive rod our father had
bought me several years ago, with money that he was not supposed to have, but I
no longer used it. I began to lift it.
Don’t
let him take it, my father snapped.
His
voice had changed now, to that angry tone, and Gabe held the rod from me. I
stopped, then proceeded to peel his fingers off one by one. He did not resist.
I took the pole back to the closet, my back turned to our father’s face,
because I did not want to see his reaction—whether it be anger or hurt.
Then
I returned to my brother, who himself was keeping his eyes rigidly focused on
his shirt sleeve button as he fingered it; I took his hand and led him towards
the inner door, the muted sounds of the waiting party. He tried to look back at
our father, but I touched his cheek to redirect his eyes.
My
own eyes did, however, catch a glimpse of Father’s feet. His polished shoes
were awkwardly pigeon-toed, touching at the fronts, nervously tapping, and his
hands drooped beneath his knees almost down to his calves as he sat.
I
expected him to call out to us, or even to set his hand on my back. But he did
not. However, as we left the room I could hear his heavy breathing.
We
did not look back, as we made our way to Gabe’s party: I held my brother’s
elbow, and pulled him against me tight.
Read also:
Guest Blogger: Paulino Lim, Jr., "Preface to a Work in Progress" - Sabong
Guest Blogger: Evelyn Ibatan Rodriguez "Celebrating Debutantes and Quinceanieras"
Guest Blogger - Makeup by Swapna: "Blue Smokey Eyes and Nude Lips" Look
Guest Blogger, Rashaan Alexis Meneses, "Themes of Love & Labor"
Guest Blogger, Jon Pineda, poem "Matamis"
Guest Blogger, Lysley Tenorio, "The View from Culion
Guest Blogger, Julia Stein, "The Woman Disappears Bit by Bit" - poem re Iraq War
Guest Blogger: Linda Ty Casper "In Place of Trees"
Guest Blogger, Luisa A. Igloria, "Poems on Haiyan"
Guest Blogger, Luisa A. Igloria, "How Is it Possible to Think of Literature in Times of Calamity?"
Guest Blogger, Melissa Salva, Volunteerism Strong Despite Disruptions by Gov't Agencies
Guest Blogger, Brian Ascalon Roley, "Old Man"
Guest Blogger, Erlinda Kravetz, "Song from the Mountain
Winning Hearts and Minds
The Black Man in the Forest
The Old Mansion Near the Plaza
Manila Without Verna
Flip Gothic
Read also
The Importance of Keeping a Journal and My Pink Lock and Key Diary
The Importance of Sensual Writing
Vintage pictures that help me write my novel - Paris, Barcelona, Ubec
How to Write a Novel #1
How to Write a Novel #2
Stay tuned, future Guest Bloggers include: Linda Ty Casper, Luisa Igloria, Lysley Tenorio, Jon Pineda, Marianne Villanueva, Evelyn Rodriguez, and more
All for now,
Cecilia
tags: Philippines, Philippine American, literature, fiction, novel, historical fiction, short story, author, writer, Brian Roley, Brian Ascalon Roley, Filipino American
The Black Man in the Forest
The Old Mansion Near the Plaza
Manila Without Verna
Flip Gothic
Read also
The Importance of Keeping a Journal and My Pink Lock and Key Diary
The Importance of Sensual Writing
Vintage pictures that help me write my novel - Paris, Barcelona, Ubec
How to Write a Novel #1
How to Write a Novel #2
Stay tuned, future Guest Bloggers include: Linda Ty Casper, Luisa Igloria, Lysley Tenorio, Jon Pineda, Marianne Villanueva, Evelyn Rodriguez, and more
All for now,
Cecilia
tags: Philippines, Philippine American, literature, fiction, novel, historical fiction, short story, author, writer, Brian Roley, Brian Ascalon Roley, Filipino American
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