Sitting in Hongkong airport, almost midnight, with plane delayed; thank God there's free Wi-fi. Time to catch up. Let's take it from short visit to Manila.
I got to participate in a dance rehearsal of the STC (Theresian) girls who, under the tutelage of Randy can now do a Philippine folkloric dance in Las Vegas. Seriously, I thought Randy would weep when he saw these women struggling to change step, step-brush, grapevine, etc. His eyebrows slightly lifted, I could read his mind: Why didn't I go into accounting??? After two hours and a cheat-sheet on the blackboard, the group got the dance number together. Randy himself started to look hopeful and started coaxing the group to look up, tilt their heads just so, fine-tuning in other words. This dance number is for our Sapphire celebration in late February, which I will be missing.
Araceli Lorayes, Rose Cuisia Franco and I saw the gold exhibit in the Ayala Museum. It's officially titled, "Gold of Ancestors: Pre-Colonial Treasures in the Philippines." If you're in Makati, it's worth the visit, head straight for the fourth floor and view 10-13th century gold death masks, necklaces, earrings, cups, figurines, and a most curious "chastity cover." It's not a chastity belt; it's a cover, triangular in shape with intricate design and with tiny holes on the sides allowing you to string it around your waist. I was left wondering who wore this, when, where? Did they wear these under their skirts? Was this for married women, or for courtesans? I have no idea.
The death masks are also quite fascinating. There are larger pieces depicting facial features - eyes, nose, mouth. There's another version where separate gold pieces covered the mouth, nose, and eyes.
The necklaces, earrings, bracelets, anklets, etc. are very heavy pieces, some weighing more than a kilo.
The interesting thing is that the entire collection - and it's a substantial and impressive one - came from a single collector, Leandro Locsin. Imagine what other gold pieces are sitting in other collectors' hordes. It is clear that ancient Filipinos had a lot of gold, and had the sophistication to make such gold pieces.
I had asked noted historian Ambeth Ocampo, who was in Cebu, if it was possible that the Spanish colonizers had destroyed a gold-rich civilization just as they did in Peru. (I have visited the Museo de Oro in Lima, Peru.) Basically he said yes, but that this still has to be researched and written about.
If you know the history of Peru, and how the Spaniards had destroyed the Inca civilization, you can imagine how such a destruction might have taken place in the Philippines.
When I took up history in Philippine schools, I had no notion that my ancestors made gold work such as this - and more importantly that my ancestors had a sophisticated civilization. The Spaniards had done such a number on Filipinos that it seemed as if Philippine civilization began in 1521, Magellan's "discovery" of the Philippines.
Historians in the Philippines have a lot of work ahead of them. And such exciting work too!
Monday, February 2, 2009
Gold Museum Ayala, Philippines
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gold museum Philippines Ayala
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
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