Thursday, August 14, 2025

Fossil by Angelo R. Lacuesta - Love Stories Series #4

 


From Cecilia Brainard: I am proud to share ANGELO R. LACUESTA'S short story, FOSSIL. This is part of my Love Stories Series featured in my blog.  Fossil first appeared in Sarge's collection CORAL COVE AND OTHER STORIES (UST PH 2017).  It was also published in Santelmo Journal (2025). All articles and photos are copyrighted by the individual authors. All rights reserved. This is featured in my blog with permission from the author. 

***

ANGELO R. LACUESTA is a fictionist and novelist who also writes screenplays and essays. He has written more than ten books and two screenplays, and has won many national awards for his writing. He has represented the Philippines at numerous literary and film festivals and conferences. He is the current president of the Philippine Centre of PEN (Poets, Essayists, Novelists) International. 


His most recent book is the novel JOY, published by Penguin Random House SEA in 2022. In 2024 he wrote and produced the film “An Errand,” based on a short story he wrote, for the Cinemalaya Film Festival. It was selected as part of the Bright Futures section of the International Film Festival Rotterdam (IFFR). His upcoming novel IRÔ (Milflores, 2025) was selected as one of 10 novels to be presented for possible film adaptation at the “Books at Berlinale” section of the  2025 Berlinale Film Festival. In 2025, “Song of the Fireflies,” a film he also wrote and produced, had its international premiere at the Manila International Film Festival in Los Angeles, California. 

*** 


FOSSIL

Copyright by Angelo R. Lacuesta. All rights reserved.

 

WHENEVER EMILIANO DATOY was drunk he stood up and declaimed in straight English how he had served, as a young boy, at meetings of town elders during the years before the war. The elders he had served themselves had served at the councils in their younger years, in Spanish times and then American times, entertaining traders, envoys and soldiers passing through Nueva Florencia, which had always been a dismal halfway town between the busiest of the island’s ports.

But I remember that when he was sober, Datoy spoke only Bisaya and could not even eat unattended, and he saved his feeble voice for when he needed it to carry from the veranda where he liked to sun himself, across the second floor living room, to his great-grandniece’s bedroom.

She appeared shortly, a dark young girl in her teens dressed in a batik house duster, carrying with two hands a thick, heavy, rectangular thing wrapped in the kind of velvet they used to cover statues on Black Saturday. Upon the old man’s croaked order, the woman swept the velvet curtain aside to reveal a block of black, stony wood bearing the smoothened etching of a winged figure. Dr. Hill drew a small gasp of awe from his throat and we bent forward to inspect the image, our heads softly colliding in the process. There were other things: vertical shapes etched around the figure possibly representing humans, and below it an inscription in badlit.

“Pre-Hispanic,” she said, when the old man nudged her ribs with an arthritic knuckle, which then pointed at the inscription. “The dragon of the swamps,” she translated, and Datoy’s folded hand sprung into a triumphant V and dropped to his side where he’d kept a bottle of gin handy, which he seemed intent to nurse into the afternoon. 

Dr. Hill remained silent but I know that by now he had begun to harbor a distrust toward the situation, his voice caved-in with exhaustion when he followed up with the old man about the tooth fragment. I was sure it was the heat, too. Datoy barked and sent the girl swishing out on bare feet to return with what looked like—and was soon proven to be—a two-inch tooth fragment. This she surrendered to us, depositing it into a piece of bubble wrap we had prepared specifically for this purpose.

Dr. Hill inspected the specimen while trying to express all due respect. It was Datoy himself who had started everything. He had seen my photo in a press release in the Daily Freeman announcing my scholarship in London and cut it out, A photo of the tooth-chip was stapled to a letter, written by the girl, explaining how she had discovered it while she had been playing in the dusty hillsides that surrounded their town.

 

Tuesday, August 12, 2025

Now available at Amazon - How I Became a Writer

 


𝘏𝘰𝘸 𝘐 𝘉𝘦𝘤𝘢𝘮𝘦 𝘢 𝘞𝘳𝘪𝘵𝘦𝘳: 𝘌𝘴𝘴𝘢𝘺𝘴 𝘣𝘺 𝘍𝘪𝘭𝘪𝘱𝘪𝘯𝘰 𝘢𝘯𝘥 𝘍𝘪𝘭𝘪𝘱𝘪𝘯𝘰 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘞𝘳𝘪𝘵𝘦𝘳𝘴 is now available on Amazon! The book is edited by Cecilia Manguerra Brainard and features 22 personal stories by writers of diverse backgrounds, each reflecting on how writing has shaped their lives.

Click on the link and get your copies now: https://www.amazon.com/dp/B0FLYNP1KC 

***

The 22 Contributors are: Merlie Alunan, Cecilia Brainard, Ian Casocot, Linda Ty-Casper, Aileen Cassinetto, Neni Sta. Romana Cruz, Jose Dalisay, Noelle de Jesus, Allan Derain, Migs Bravo Dutt, Yvette Fernandez, Caroline Hau, Luisa A. Igloria, Kristian Kordero, Paulino Lim, Jr., Tony Perez, Elmer Pizo, Joel Pablo Salud, Eileen Tabios, John Iremil Teodoro, John Jack Wigley, and Hope Sabanpan Yu.

PRAISE: 

How I Became a Writer: Essays by Filipino and Filipino American Writers offers intimate, fine-grained accounts in the making of what constitutes contemporary Philippine literature, provided by a remarkable set of Filipino writers in the Philippines and abroad, It is a book to be treasured. ~ Resil B. Mojares, Philippine National Artist in Literature.


Tags: Philippine writers, Filipino authors, Filipino books

Thursday, August 7, 2025

The Virgin's Last Night by Cecilia Manguerra Brainard - Love Stories Series #3


 
Cecilia Manguerra Brainard, photo by Doreen Stone

 

From Cecilia Brainard: I am sharing my story, THE VIRGIN'S LAST NIGHT,  as part of my Love Stories Series featured in this blog. Earlier stories posted include Nikki Alfar's THE MECHANISM OF MOVING FORWARD and Geronimo Tagatac's  A SIMPLE GRACE.

My story, THE VIRGIN'S LAST NIGHT, was inspired by an unmarried aunt whose beau from her youth came around late in their lives, when he was a widower, and she still unmarried. She had spent most of her life taking care of her younger unmarried sister. In Cebu, they were referred to as the Old Maids living on Mango Avenue. My aunt sent the man away, ridiculing him (her nieces and nephews assumed) -- Are you out of your mind? At our age?

One day when I was already writing stories, I remembered my aunt and her old beau, and I wrote the “The Virgin’s Last Night.” The story flowed, with few revisions. 

This story first appeared in Going Home to a Landscape: Writings by Filipinas (Calyx Books); it also appeared in Growing Up Filipino II: More Stories for Young Adults (PALH & UST PH. It is part of my short story collection, Vigan and Other Stories (Anvil), and my Selected Short Stories (PALH and UST PH).

***

BIO: Cecilia Manguerra Brainard is the author and editor of over 22 books. She has written three novels: When the Rainbow Goddess WeptMagdalena, and The Newspaper Widow. Her recent books include her Selected Short Stories and Growing Up Filipino 3: New Stories for Young Adults. Two books she edited were released in 2025: How I Became a Writer: Essays by Filipino and Filipino American Writers, and Step Into Our Kitchens: Theresian Recipes and Tales.

She has forthcoming translations in Greek, Japanese, Portuguese, Macedonian, Arabic, Serbian, Slovenian and Azerbaijan, in addition to earlier translations of her work in Turkish and Finnish.

She received an Outstanding Individual Award from Cebu, a California Arts Council Fellowship, a Brody Arts Fund, several travel grants from the US Embassy, National Book Award, Cirilo Bautista Prize, travel grant from the National Book Development Board, and others.

Cecilia taught at UCLA, USC, California State Summer School for the Arts, and the Writers’ Program at UCLA Extension. She served as Executive Board member and Officer of PEN, PAAWWW (Pacific Asian American Women Writers West), Arts & Letters at the Cal State University LA, PAWWA (Philippine American Woman Writers and Artists), among others.

She also runs a small press, PALH or Philippine American Literary House (palhbooks.com). Her official website is https://ceciliabrainard.com. 



THE VIRGIN’S LAST NIGHT

Copyright by Cecilia Manguerra Brainard. All rights reserved.

 

FOUR MONTHS AFTER PETRA SANTIAGO DIED, and the night before her own death, Meding Santiago got out of bed, reached for her rosary by the side table and started reciting the Creed. It was almost midnight, and she was saying the rosary that Thursday for the second time. Since Petra died, she slept poorly, her mind fixed on the image of her younger sister on the hospital bed, waving her bony fingers in front of her face before she finally stopped breathing. Sometimes she would forget that Petra was gone, and she would pour another cup of hot chocolate or turn to say something to no one, and she would be surprised at the depth of her grief.

She was on her knees, with her eyes closed, when she heard a soft knock on the door. She rose and walked to the door. She opened it, expecting one of the servants, and was surprised at the figure of an old man. It took Meding a second before she caught her breath and said, “Mateo, what are you doing here? You’re dead.” 

“Here to see you, Meding. It’s been a long time,” replied Mateo, standing first on one foot, then shifting his weight to the other, a man embarrassed.

“Well,” Meding said, clutching her nightdress at the collar, uncertain about what to do, what to say, uncertain about her sanity at the moment.

“You’re not crazy,” Mateo went on. “I’m dead.  I know, it’s strange, but that’s how it is sometimes. I have to get back before sunrise.”

“Oh,” Meding said, accepting this explanation with some kind of relief. Ever since her sister’s death, life had taken on the quality of a dream, and Mateo’s presence was just another strange event. She squinted at the figure by the doorway. “You’ve gotten old, Mateo,” she said, “and paunchy too.”

“You’re just as beautiful.” Mateo hung his head the way he used to as a young man, many years ago.

Meding laughed and walked over to the armoire mirror to study her image. “Mateo, you and I know I’m no spring chicken.

Friday, August 1, 2025

A Simple Grace by Geronimo Tagatac - Love Stories Series #2





From Cecilia Brainard: I am proud to share GERONIMO TAGATAC'S short story, A SIMPLE GRACE. This is part of my Love Stories Series featured in my blog.  All articles and photos are copyrighted by the individual authors. All rights reserved. This is featured in my blog with permission from the author. 

***

GERONIMO TAGATAC'S father was from Ilocos Norte.  His mother was a Russian Jew. Geronimo has been a Special Forces soldier, a legislative consultant, a dishwasher, cook, folksinger, computer system planner, a modern and jazz dancer and a roofer.  His short fiction has appeared in Writers Forum, The Northwest Review, Alternatives Magazine, Orion Magazine, The Clackamas Literary Review and The Chautauqua Literary Review.  He’s received fellowships from Oregon Literary Arts and Fishtrap. “Summer of the Aswang,” received the 2017 Timberline Award for short fiction.  Geronimo's short story, "Hammer Lounge" is part of Growing Up Filipino II: More Stories for Young Adults, collected and edited by Cecilia Brainard. His first book of short fiction, The Weight of the Sun, was a 2007 Oregon Literary Arts finalist. 

 ***

A SIMPLE GRACE

Copyright by Geronimo Tagatac, all rights reserved



CATHERINE, C.K. HER FRIENDS CALLED HER, would later tell him that the way he moved when he made his way between the row of lecture hall seats and the way he sat himself down without the help of his arms is what drew her interest. The very simplicity of his gracefulness touched something in her.  

        C.K. saw him the following Friday evening, in the Interlude Bar. She’d gone there with Charles, a grad student who was ten years older than her. He was chummy with the younger faculty members who frequented the place. Marco was chatting with the woman bartender and, at one point he said something to her that made her laugh. C.K. was sure he knew that she was watching him by the way he sat, half turned toward her on his bar stool as though he could hear her through the clutter of conversation punctuated by the occasional raised voice or wave of laughter. She was almost sure that he would hear her if she spoke to him across the space between them.

            Marco felt her swift glances, returning them with his own in which he took in her thick straight brown hair cut square several inches below her shoulders. He guessed she was not much more than five-feet-two inches tall.  He noticed her light-colored eyes behind her wire-rimmed glasses, the black turtleneck sweater, and wide-legged pants of a fabric that softened the shape of her legs. He watched her leave with her companion but noticed she didn’t hold his hand or lean into him in that way lovers do, and that rubbed away some of his envy.

Monday, July 28, 2025

Old Photographs Filipino Writers with Cecilia Brainard

 I'm sorting out old photographs and I'll share some that include notable Filipino literary figures.  I will continue to add photos on this post, so check back:


Photo taken Oct. 1995 at the Cebu launch of Cecilia Brainard's ACAPULCO AT SUNSET AND OTHER STORIES,     l-r: Karina Bolasco (Anvil's publishing director), Cecilia Manguerra Brainard, Mila Santillan, Araceli Lorayes


 
Photo taken Oct. 1995 at the Manila launch of  ACAPULCO AT SUNSET AND OTHER STORIES, l-r: Cecilia Manguerra Brainard, Karina Bolasco (Anvil's publishing director), Mariel Francisco, Marj Evasco

This photo was taken at the 1995 launch of my second story collection, Acapulco at Sunset and Other Stories. This particular event was at the Ayala Museum. I recall that Ben Santos arrived a bit late, and the program had begun. When he walked in, slowly, as he was now ill, everyone paused and there was silence as he made his way to join us. He sat near me and my mother, and we talked.. He said he was losing his eyesight. I tried to console him. That was the last time I saw him alive. A few months late, he passed away.
He was very kind to me. He helped me as an emerging writer; he recommended my first story collection, Woman with Horns and Other Stories, for publication to Mrs. Gloria Rodriguez at New Day. He wrote me, encouraged and advised me. May he rest in peace.
There were several photos taken of us, but I just noticed that in this one we are holding hands. Bless him.



Circa early 1990s photo with Filipino American icon Helen Brown (seated in blue. To her right is Cecilia Brainard, to her left is Lee Colomby.


1998 photo taken at Cebu City Charter Day anniversary celebration. Cecilia is top left. She received an Outstanding Individual Award from the City of Cebu.


2000 photo taken in Paris, at Shakespeare and Company where Cecilia did a reading. To get left is Filipino writer Cris Yabesm


Read also:


 


Saturday, July 26, 2025

The Mechanism of Moving Forward by Nikki Alfar - Love Stories Series # 1

 



Hello, Cecilia Manguerra Brainard here, 

I'm starting a LOVE STORIES SERIES in this blog, showcasing fine short stories by Filipino writers. 

The theme is LOVE, and by this I refer to love in all its guises, not just love between man and woman, but same-sex love, love for pets, love for family, love for country, love for God, love for nature … all the facets of this emotion called LOVE.

To start us off, here is a story by Nikki Alfar, who transports us to 1863 during the time of Shoguns. "The Mechanism of Moving Forward" is reprinted with her permission. 


***

NIKKI ALFAR is a wife, mother, fictionist, dancer, arnis student, knitter, and origami folder. While she has yet to receive acclaim for folding, knitting, fighting, dancing, mothering, or wifing - go figure - she has managed to cadge repeated recognition out of the Palanca, Nick Joaquin, and global Mariner literary authorities, along with back-to-back National Book Awards for her story collections WonderLust (Anvil Publishing) and Now, Then, and Elsewhen (UST Press).

She’s edited more speculative fiction anthologies than she can count – there’ve been many, and her math is egregious – including the acclaimed, annual Philippine Speculative Fiction, which is now relaunched as New Philippine Speculative Fiction. By trade, she’s a marketing and corporate copywriter, so she writes fiction alllll the time. 

Nikki smokes like a chimney, and has one two children with writer Dean Francis Alfar - Ryo, 23, is also a published writer, and Asriel, 16, is an online novelist.

***


THE MECHANISM OF MOVING FORWARD

Copyright by Nikki Alfar, all rights reserved

by Nikki Alfar

 

the mechanism of beginning

What enables the karakuri ningyo to commence operation is the auto-adjustment pin, which – as with all parts, save the mainspring – must be crafted of nothing but the most appropriate wood, harvested and fashioned at the proper time of year, to avoid air temperature and humidity taking their toll, before the structure has yet been assembled. This pin functions as a stopper for the cogwheel.

 

UPON ENTERING HIS workroom, on the nineteenth day of the twelfth month of the Nederlander year 1863, Tanaka Hisashige promptly lost hold of the lacquered tray he had been carrying, such that the tea implements he had so meticulously prepared, moments prior, fell clattering to the polished wooden floor.

“Such a clamor,” murmured Sakuma Kei, evincing no further reaction than the barest, most blamelessly demure of smiles. “One would almost think Tanaka-san had never seen a naked woman before.”

“In – in – in – the baths, certainly,” was the only response that politeness and his stunned state of mind enabled him to muster, gazing – while at the same time desperately endeavoring not to gaze – at the splendidly-unclad form of his revered teacher’s daughter.

“You did mention, in our correspondence, that you wished you might more closely study human anatomy, as the Redheads do,” she explained, with innocuous aplomb. “Therefore it seemed to me that I could offer you no greater o miage, upon my return from the capital, than the gift of myself.”

“The tea!” Hisashige exclaimed, dropping to his knees with unseemly haste. “The floor!” Tending to the fallen crockery would afford him a moment to clear his mind – not to mention, thankfully, avert his eyes – although of course she would see through the pretense immediately; it was only an ordinary tea set, after all, meant for everyday sencha. He had considered presenting something more refined, in celebration of her homecoming, but had reflected that it might seem overly presumptuous, or overly eager, for which diffidence he was now profoundly grateful, and not merely because his better porcelain had consequently escaped destruction.

“To think that the renowned inventor of the Ten-Thousand-Year Self-Ringing Bell Clock,” Kei was musing aloud, “at only twenty already a karakuri master famed throughout the land, should be so discomfited by a mere slip of a maiden, yet again deemed by our great thirteenth leader to be lamentably unimpressive, unworthy, and altogether unmarriageable.”

He very nearly fell into her trap, only at the last moment managing to refrain from looking back up at her. “He said no?”

“He said a great deal, including expressing his conviction that our Dejima, being an artificial island, must be composed of gears and pulleys – like one of your automata – or, more fitting to his mind, water and clockwork, like a mizudokei. I do not think he believed my explanation that it is merely earth, reclaimed for the purpose of maintaining the ludicrous fiction that the Nederlanders are not quite on our soil, thereby upholding, while at the same time unmistakably subverting the ridiculous sakoku ban.”

He did look up then, too alarmed to be constrained by propriety.

Her smile had become far less demure, her charcoal-dark eyes dancing with triumphant mischief. “I did not say it in quite those words, naturally.”

In his relief, he ceased resistance, resigning himself to merely confining his gaze above her chin. “You are presented to the shogun, and you spend the opportunity speaking to him of dirt?”

“I am fortunate he chose to address me at all.” Kei shrugged – firm in his resolution, Hisashige simply inferred the gesture from the tilt of her head. “The other maidens were not so favored. However many unwed women the bakufu persist in throwing at him, I do not think our Lord Iesada is at all interested in marriage; he spent no more than ten minutes on the lot of us.” She tilted her head the other way, raising an eyebrow. “Do you think it would have helped, had I been naked?”

He refused to be baited again, having at last regained some measure of equilibrium. “I believe I should go and fetch some more tea, as well as a servant to tidy the disarray.”

“Do, please.” She remained serenely unmoving, evidently not in the least troubled by his implied threat of exposure. “It is winter, after all, and somewhat chilly; tea would be most welcome.”

“I have heard that there is a most ingenious invention designed to aid with that condition,” he noted, accepting defeat and thus crossing the room toward the disheveled heap of gorgeously-colored silk and wool, lying blithely discarded on the floor. “It is called ‘clothing’.”

 

Thursday, July 3, 2025

Cebu Launch of Two Cecilia Brainard Books

 


Vibal Foundation and Cecilia Brainard launched two books recently in the Philippines. There were several book celebrations in Cebu and in Makati, Philippines.  

But please read this Vibal Foundation writeup describing the books:

https://cbrainard.blogspot.com/2025/07/vibal-foundation-launches-two-cecilia.html

In Cebu, Lost Books Cebu hosted a book celebration for HOW I BECAME A WRITER: ESSAYS BY FILIPINO AND FILIPINO AMERICAN WRITERS on May 30, 2025. Dr. Hope Sabanpan Yu and I went to give chats and sign books that day.  

On June 7, 2025, STEP INTO OUR KITCHENS: THERESIAN RECIPES AND TALES was celebrated with Patricia Aberasturi and Chef Pamela Relampagos giving talks and signing books. They even baked an angel cake and petite fours for the guests! 

These events in this beloved little bookshop in Cebu were very joyful and successful. I even had two classmates from kindergarten St. Theresa's College show up!

Thanks to Donald Villamero for hosting these celebrations. 

Here are some photos from Lost Books Cebu:


May 30, 2025, with Cecilia Brainard giving a talk and signing books: 












 








June 7, 2025 with Patricia Aberasturi and Pamela Relampagos signing STEP INTO OUR KITCHENS: THERESIAN RECIPES AND TALES.  They are contributors to this cookbook. 



















You can find copies of these books at Lost Books Cebu. You can also find copies at Vibal Shop, Lazada, and Shopee. 

I'll be posting more pictures, please visit again. 

READ ALSO:

News Articles about Step Into Our Kitchens:

The Stories We Taste: Cecilia Brainard Preserves Recipes of St. Theresa’s College Alumnae, by Lala Singian-Serzo for — Lifestyle Inquirer.net 

Our Kitchens, Ourselves — by Lorna Lardizabal Dietz for Positively Filipino 

Legacy Cookbook by STC Graduates ‘Step Into Our Kitchens: Theresian Recipes and Tales’ by Cecilia Manguerra Brainard for Sunstar Cebu

John Iremil Teodoro Writes "Rediscovering Cecilia Manguerra Brainard"

Tags: Philippine cookbook, new cookbook






Vibal Foundation Launches Two Cecilia Brainard Books

 The following announcement is courtesy of Vibal Foundation 

𝗩𝗶𝗯𝗮𝗹 𝗙𝗼𝘂𝗻𝗱𝗮𝘁𝗶𝗼𝗻 𝗹𝗮𝘂𝗻𝗰𝗵𝗲𝘀 𝟮 𝗻𝗲𝘄 𝘁𝗶𝘁𝗹𝗲𝘀 𝗲𝗱𝗶𝘁𝗲𝗱 𝗯𝘆 𝗖𝗲𝗰𝗶𝗹𝗶𝗮 𝗠𝗮𝗻𝗴𝘂𝗲𝗿𝗿𝗮 𝗕𝗿𝗮𝗶𝗻𝗮𝗿𝗱: 𝙎𝙩𝙚𝙥 𝙄𝙣𝙩𝙤 𝙊𝙪𝙧 𝙆𝙞𝙩𝙘𝙝𝙚𝙣𝙨 𝗮𝗻𝗱 𝙃𝙤𝙬 𝙄 𝘽𝙚𝙘𝙖𝙢𝙚 𝙖 𝙒𝙧𝙞𝙩𝙚𝙧

𝗠𝗔𝗞𝗔𝗧𝗜 𝗖𝗜𝗧𝗬, 𝗝𝗨𝗡𝗘 𝟳, 𝟮𝟬𝟮𝟱: Vibal Foundation unveiled two new inspiring books edited by award-winning author and editor Cecilia Manguerra Brainard: 𝘚𝘵𝘦𝘱 𝘐𝘯𝘵𝘰 𝘖𝘶𝘳 𝘒𝘪𝘵𝘤𝘩𝘦𝘯𝘴: 𝘛𝘩𝘦𝘳𝘦𝘴𝘪𝘢𝘯 𝘙𝘦𝘤𝘪𝘱𝘦𝘴 𝘢𝘯𝘥 𝘛𝘢𝘭𝘦𝘴 and 𝘏𝘰𝘸 𝘐 𝘉𝘦𝘤𝘢𝘮𝘦 𝘢 𝘞𝘳𝘪𝘵𝘦𝘳: 𝘌𝘴𝘴𝘢𝘺𝘴 𝘣𝘺 𝘍𝘪𝘭𝘪𝘱𝘪𝘯𝘰 𝘢𝘯𝘥 𝘍𝘪𝘭𝘪𝘱𝘪𝘯𝘰 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘞𝘳𝘪𝘵𝘦𝘳𝘴. 


 

𝘚𝘵𝘦𝘱 𝘐𝘯𝘵𝘰 𝘖𝘶𝘳 𝘒𝘪𝘵𝘤𝘩𝘦𝘯𝘴 is a rich culinary memoir that blends personal stories, faith, and over 70 cherished recipes contributed by Theresians and their families. More than a cookbook, it reflects the legacy of shared meals, childhood memories, and the enduring spirit of the graduates of St. Theresa’s College from its campuses in Manila, Cebu, and Quezon City.

In her Introduction, Brainard reflected on her concept for the book which came after the 60th reunion of her high school class of 1964 at St. Theresa’s College-Manila: “The idea rooted in my mind was that we should leave something behind for our families, friends, and the next generations—a small something of ourselves. The ‘cookbook project’ started forming in my mind… Perhaps because I am primarily a fiction writer, I considered creating a food book that tells a story. I thought of combining recipes, anecdotes, longer personal essays, and the history of our STC Foundress, Mother Marie Louise De Meester—a kind of memorabilia, thus the title: 𝘚𝘵𝘦𝘱 𝘐𝘯𝘵𝘰 𝘖𝘶𝘳 𝘒𝘪𝘵𝘤𝘩𝘦𝘯𝘴: 𝘛𝘩𝘦𝘳𝘦𝘴𝘪𝘢𝘯 𝘙𝘦𝘤𝘪𝘱𝘦𝘴 𝘢𝘯𝘥 𝘛𝘢𝘭𝘦𝘴. Here, then, is that food book.”

The book is under the Gastronomía Filipina imprint of Vibal Foundation, which aims to showcase established and emerging voices in Philippine food writing, while reflecting the evolving narrative of Filipino food. Its editor-at-large, food scholar and book designer Guillermo “Ige” Ramos, was also present during the launch to show his support for Brainard. 


Tuesday, July 1, 2025

John Iremil Teodoro Writes "Rediscovering Cecilia Manguerra Brainard"

 This totally made my day!


The writer and academic John Iremil Teodoro wrote about me and my work in his column in the Iloilo newspaper, the Daily Guardian. John writes about some of my books which he has enjoyed, my novel, MAGDALENA, and ACAPULCO AT SUNSET AND OTHER STORIES, among others.



In his article, he mentions our June 8, 2025 launch of HOW I BECAME A WRITER: ESSAYS BY FILIPINO AND FILIPINO AMERICAN WRITERS (Vibal), which includes 22 top notch Filipino writers, John included. John himself has published 20 books and received the prestigious SEA Write Award from the Kingdom of Thailand -- no small feat.


The other writers in HOW I BECAME A WRITER are: Merlie Alunan, Ian Casocot, Linda Ty-Casper, Aileen Cassinetto, Kristian Sendon Cordero, Neni Sta. Romana Cruz, Jose Dalisay, Noelle Q. De Jesus, Allan N. Derain, Migs Bravo Dutt, Yvette Fernandez, Caroline Hau, Luisa A. Igloria, Paulino Lim, Jr., Tony Perez (who recently passed away, RIP), Elmer Omar Pizo, Joel Pablo Salud, Eileen Tabios, Jack Wigley, and yours truly.

The writers in HOW I BECAME A WRITER have such wonderful honest write-ups about what led them to become these fine accomplished creative writers, prompting Resil Mojares (Philippine National Artist in Literature to say:
"How I Became a Writer: Essays by Filipino and Filipino American Writers offers intimate, fine-grained accounts in the making of what constitutes contemporary Philippine literature, provided by a remarkable set of Filipino writers in the Philippines and abroad, It is a book to be treasured."

Yes, I'm plugging this fine collection, because I'm genuinely proud of the writers in this book. You can pick up a copy from Lazada and Vibal Shop. It will eventually be listed in Amazon. To those in the US, dying to have a copy, message me.