Review of Growing Up Filipino II: More Stories for Young Adults, by Karen Pierce Gonzales, Folkheart Press website, Dec. 29, 2009
What I like most about folk stories is that they tell us something important about other people. They create specific examples of universal themes that exist in all cultures; they express the uniqueness of a particular time and a particular people that enlightens us all about our own humanity.
This is what I recently experienced after reading Growing Up Filipino II: More Stories for Young Adults, a collection of contemporary stories for young adults collected and edited by Cecilia Manguerra Brainard. The 257-page book published by PALH (Philippine American Literary House) was first brought to my attention by fellow writer Rebecca Mabanglo-Mayor. A bright writer herself who lives in Washington, she was able to share with me not only the beauty of her own literary work but also the richness of her cultural heritage.
Thanks to her I was allowed into the post 9/11 world of Filipino and Filipino American youth. Through this I was introduced to a culture that admittedly I knew very little about.
I learned through the stories that many Filipino children are raised in a very strong patriarchal system that often over rules the individual child’s needs to ‘fit in’ with the dominant American culture. For example, in ‘Double Dutch’ (Leslieann Hobayan) when young Maria Elizabeth comes home one day with her hair braided by her African American school friend her family responds by telling her the braids are ugly and she is no longer allowed to play with her friend. I could feel the poignancy of Maria Elizabeth’s dilemma as she withdrew from the schoolyard community she enjoyed so much.
Other stories also reveal the hard facts of immigrant life. Alma (‘Here in the States’ by Rashaan Alexis Meneses) struggles to understand how hard her mother must work as a nanny to make ends meet. Shame and sadness mingle when she questions the discrepancy between her mother’s role as a respected professional back home and her new role as a domestic helper. Adolescent resentment and rebellion about having to help care for younger siblings (something the maid back home did) further complicate Alma’s efforts to make sense of this new world. It is in her mother’s quiet strength and acceptance of life’s uncertainties that Alma finds her greatest comfort and connection.
While the book is designed to reflect the issues young adults face, it does much more than that. It reaches out to the rest of us in a way that invites deeper understanding and awareness of how our Filipino and Filipino American brothers and sisters experience life in America. Fraught with the angst of adolescence that exists everywhere and grounded in an abiding sense of strong Filipino family/cultural values, the authors of these stories have something valuable to tell us about our own desires and struggles to belong in whatever world we live in.
We are fortunate to have access to such a formidable anthology. It is certainly a must read for anyone who wants to celebrate our multicultural society.
Growing Up Filipino II: More Stories for Young Adults will be released March, 2010. For more information, visit their website.
Posted by Karen Pierce Gonzalez at 9:19 AM
Tuesday, December 29, 2009
REVIEW OF GROWING UP FILIPINO II, by Karen Pierce Gonzalez, Folkheart Press
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
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