Parian Fiesta Night with the Divettes (Cebu)
I would have missed their performance if they hadn’t stood in front of the Yap-Sandiego House, in their hot pants and skimpy outfits, faces glowing with paint, and looking flashy, happy, and flirtatious. “Good evening, Ma'am,” they said as our group of ladies walked by. “Good evening,” we answered, then I thought to ask, “Are you performing tonight?” I had known that Val Sandiego hosted a fiesta performance in the Parian Plaza late fiesta night. I’d always missed it, not knowing what to expect, and had left fiesta celebrations with the stream of the well-heeled folks who’d eaten their fill and were ready to hit the sack.
“Yes, we are, 9:30,” one replied, eyelashes batting
“I’ll be back,” I said.
So at 9:30 I did return and sat in the Parian outdoor plaza near the Heritage Monument. Was I in for a treat!
First, I must make it clear that the evening performance was not all by cross-dresser performers. There were other singers, rap dancers, young dancers doing cool steps, even a fire dance number; but the performances of the Divettes (as in small Divas) made me laugh harder than I have in a long time.
I’d only seen one live performance of men dressed as women on stage, and that was in in San Francisco where one of the performers was a Filipino who was pretty it was impossible to imagine that he was a he.
Fiesta night in Parian showcased a number of cross-dressing divas, including: Cassandra Madrigal, Alvin (the comedian), Baby Sue (Lloyd in the daytime and Q-rator of the Yap-Sandiego House, Mamaru (Roger in the daytime, Ruth when she was younger, and now Mamru), and four others whose names I didn’t catch.
These women --- er, men, did an excellent job rendering Chicago’s He Had It Coming, and a number from La Cage Folles. They were for the most part, so pretty it was mind-boggling to think they were men in drag. Cassandra Madrigal had the loveliest face, long flowing hair, hips, belly button showing, voice, soft and feminine. The story I later heard is that Cassandra’s boyfriend had left his wife for him/her. Whatever. That night Cassandra had several dance numbers, numerous changes of clothes that made the women in the audience drool at how lovely his/her gowns were.
I don’t know if Cassandra was part of the Divettes, but there was a group of five in daring outfits who did the Chicago, La Cage a Folles numbers, and more. While the guys were doing their dance and mime (the music), Alvin did comic antics that sent people into uncontrollable laughter. Or maybe it was me laughing uncontrollably. I didn’t know slapstick could be so funny. Alvin is as thin as a tapeworm, and he could do things with his body and his face, so that physically he just looked funny. His mouth, for instance was painted white, which stood out when he made incredible faces.
Val Sandiego was emcee (aside from diretor and producer) was hilarious. He had so much energy directing the audience to clap, and saying borderline vulgar stuff that sent us rollicking with laughter. Mamaru, alias Ruth, alias Roger, was called on stage to do a fire dance, and Val Sandiego went something like (in Cebuano but I’m doing this in English): Ladies and Gentlemen, look at Mamaru, 65 years old and he can still dance, lower, lower, Mamaru, look at that, 65 years old, children, he’s as old as your grandparents. Etc.
And about the chubby lady fire dancer, “Look at that body, ladies and gentlemen, that’s from dancing." The young woman continued smiling and twirling her sticks with balls of fire.
I sat there at 9:30 and when I left at midnight, the show was still on.
Now, ladies and gentlemen of Cebu, next year,June 24, at night, I’m certain there will a free performance in the Parian plaza once again. So here’s what you should do: watch the 7 o’clock religious procession, eat dinner at Café Elyssa, then find a seat on the benches facing the stage near the fire station and chapel. You’ll be safe, you’ll have fun. And the performance is all free, courtesy of Val Sandiego, owner of the Pride of Parian the Yap-Sandiego House. All you have to do is laugh and clap.
(I'll post a few pictures of the fiesta later on, so check back in late July.)
Showing posts with label fiesta. Show all posts
Showing posts with label fiesta. Show all posts
Tuesday, June 28, 2011
PARIAN FIESTA NIGHT WITH THE DIVETTES, Cebu
Labels:
Cebu Philippines,
fiesta,
Parian
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Wednesday, June 24, 2009
SAN JUAN BATISTA FIESTA OF PARIAN, OLD CEBU


The Parian district of historic old Cebu just celebrated the fiesta of its patron, St. John the Baptist. I am waiting to hear how it turned out, but here's an early quick report from Atty. Lynley Ocampo who attended the event with the Osmena Canoys (mother and daughter). I'll continue to paste reports as they come in. The old pictures show the Parian triangle and Parian church as these once appeared. The old church was torn down and there is a small chapel that stands in its place. Now under the care of the Cofradia de San Juan Batista, the chapel was where tridium prayers and the fiesta Mass were held. Cardinal Vidal said the Mass. Knowing the Cofradia people, headed by Louie Nacorda, the chapel was decorated nicely, and the antique statues of San Juan, Jesus, and Angel held court in there.

More as news comes in.
From Lynley Ocampo:
Thank you very much for the invitation. We had a very lovely evening. It
was also very interesting to see Ng Titang Diola for the very first time.
It was a different experience for me. The Canoys also give their thanks.
During the short program, Louie told us that he petitioned San Juan if he
could please stop the rain - or not make it rain from 9am to 9pm since it
had been raining for two days already. When Louie realized that the
program started late, he asked for an extension of one hour. It hasn't
rained even up to this morning. We were unable to join the procession and
went straight to dinner. Am looking forward to next year's festivities.
From Louie Nacorda:
...we had the most grandiose feast ever yesterday! The Mass and procession were well attended; we had three carrozas, three bands, and Casa Gorordo was full house, up to the balcony! The weather was cool and dry. St. John the Baptist must have been very happy. Even the Gorordo ghosts made manifestations to some people in the azotea!
Viva Señor San Juan Bautista!
Labels:
fiesta,
historic cebu,
Parian,
Philippines
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Monday, June 25, 2007
OLD CEBU TRADITIONS

The chapel of St. John the Baptist in the Parian District in Cebu City, is small and unimpressive, and so people may disregard it as another community chapel, one of many in the Philippines. What most people do not know is that this chapel sits on land that had belonged to the Jesuits in the 1700s, and in those days a huge church had stood there. It had been a very wealthy church, funded by the wealthy Chinese Filipino merchants who lived in Cebu's Parian District. As it turned out, the Jesuits were driven out of the Philippines, and the Church fell in the hands of the Diocese of Cebu. The church was torn down. Bit by bit the land was taken over the city and by squatters so that now, the land the chapel rests on has been considerably diminished. Unbeknown to many is that in that small chapel there is a cross that dates back to the Jesuit days of the 1700s. It's stands behind the altar.
Yesterday, the feast day of St. John the Baptist, people overflowed outside the chapel of St. John. After Mass, there was a procession. The three Santos images are centenery statues of Christ, St. John the Baptist and a charming dreamy angel that makes me think of a Mexican lass. This year, the confradia of St. John the Baptist, headed by Louie Nacorda, added banners with images depicting various points of St. John's life. There were a number of little girls dressed as angels who were supposed to accompany the banner-carriers, but for some reason, they ended in the back of a van, without any lights nor decoration - the poor girls went unnoticed.
The procession starts from the Chapel, curves around the Heritage Monument, past Val Sandiego's antique house that is all dolled-up, and then it turns right on Lopez Jaena toward the Casa Gorordo. In front of the house, the silver carrosa carrying the images stop, and the members of the Confradia sing some songs. At the same time, some people from the second story of the Casa Gorordo throw calachuchi petals down on the statues. Apparently, in the 1850s, it had been the custom for the procession in front of Bishop Gorordo's house - the Casa Gorordo.
The procession continues, winding its way through the Parian district, and then it returns to the chapel, and the images and silver carrosa are returned to the Casa Gorordo.
Meantime, outside the chapel, there are food vendors selling briskly to the locals; and further down Lopez Jaena, the Confradia hosts a dinner and performance to members and guests. The delightful folk singing and dancing are all courtesy of Val Sandiego's Dance Troupe.

It's a lovely revival of an old tradition, one that Pepit Revilles and Louie Nacorda have resuscitated. They say every year more people show up, and spotted last night were Chinggay Utzurrum, Gavin Bagares, Erma Cuizon, Linda Alburo, Beth Reyes, and some 95 other people.
Thank you Pepit and Louie for this charming tradition!
Photo shows antique Santos statues of St. John the Baptist, Jesus Christ, and an Angel
Bottom photo shows Val San Diego's Dance Troupe
Labels:
Cebu,
Cebuano,
fiesta,
folk dancing,
Parian
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
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