Showing posts with label California writers. Show all posts
Showing posts with label California writers. Show all posts

Tuesday, November 16, 2010

VIGAN AND OTHER STORIES by Cecilia Manguerra Brainard Released in the Philippines


WITHOUT any fanfare, my third short story collection will be released on November 17 in the Philippines by Anvil. If you're in the Philippines and find this book in National Bookstore or Powerbooks, do pick up a copy of the orphan. I haven't even seen the actual book! The cover study with the blurbs below is not the final one. I am sure that Philippine Expressions in the U.S. will have copies of this book in a few months time.

I'll be writing more about my three short story collections, what the stories are about, the publishers, and other anecdotes related to the books, so visit my blog again.

“In this, her third collection of short stories, Cecilia Manguerra Brainard shows an uncanny talent for speaking in varied voices that bridge time and place: she is at home in Vigan, the mythical Ubec (Cebu), Sagada, Manila, Cusco, Peru, Calcutta, Chartres, California, bringing each location alive with loving detail. She speaks as a school girl, an older woman, a love-struck boy, a stolen child, an underground revolutionary. She writes of her own family and childhood with love and sadness and a deep sense of humanity. Most charming? “Meeting Che Guevara”, which starts out “I was nineteen when I met Che Guevara.”’ ~ Susan Evangelista, Professor, Palawan State University


“This is a rich and generous collection of stories. They spring from various sources--autobiographical, anecdotal and experimental. It entertains the casual reader, instructs aspiring and practising writers alike, and enriches the country's culture. “ ~ Paulino Lim, Jr., Professor Emeritus, California State University

“Cecilia’s style is even more spare or sparing, letting the words do the barest possible work of depicting action, description, or sequencing the events in the collected narratives…I’d call this style, which seems fairly unique to her (even when compared to that of old masters like Bulosan and Gonzalez), as scenographic, to borrow a term from cinema.” ~ Oscar V. Campomanes, Professor, Ateneo de Manila University

Cecilia's Bio:Cecilia Manguerra Brainard is the award-winning author of eight books, including the internationally-acclaimed novel, When the Rainbow Goddess Wept, Magdalena, Vigan and Other Stories, Acapulco at Sunset and Other Stories, Philippine Woman in America, Woman With Horns and Other Stories, Cecilia's Diary 1962-1968, and Fundamentals of Creative Writing. She edited four books: Growing Up Filipino I and II, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America. Cecilia co-edited six books, including Journey of 100 Years: Reflections on the Centennial of Philippine Independence; Behind the Walls: Life of Convent GirlsAla Carte: Food and Fiction, and Finding God: True Stories of Spiritual Encounters. She has also written a novel with four other women entitled, Angelica's Daughters, a Dugtungan Novel. Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.

Cecilia has received a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District. She has also been awarded by the Filipino and Filipino American communities she has served. In 1998, she received the Outstanding Individual Award from her birth city, Cebu, Philippines. She has received several travel grants in the Philippines, from the USIS (United States Information Service). In 2001, she received a Filipinas Magazine Award for Arts.

She has lectured and performed in worldwide literary arts organizations and universities, including UCLA, USC, University of Connecticut, University of the Philippines, PEN, Beyond Baroque, Shakespeare & Company in Paris, and many others. She teaches creative writing at the Writers Program at UCLA-Extension. 

She is married to Lauren R. Brainard, a former Peace Corp Volunteer to Leyte, Philippines; they have three sons.






Thursday, June 10, 2010

YOUTUBE - Cecilia Brainard Reads at UCLA Extension's Publication Party, 6/9/10



Click HERE to watch a YouTube link of Cecilia Brainard doing a literary reading at UCLA Extension's Publication Party, June 9, 2010. The award-winning author and instructor at UCLA Extension reads from her story Vigan, which is part of the anthology, Growing Up Filipino II: More Stories for Young Adults (PALH 2010).

http://www.youtube.com/watch?v=6fruNH6dv-Q

Thursday, June 7, 2007

UCLA WRITERS' PROGRAM Publication Party, and Other matters

Great publication party as usual. Linda Venis, Director of the Writers' Program at UCLA Extension always throws the best pub parties. Tonight 18 writers launched their books/journals. In order of appearance: Philomene Long, Rob Roberge, Aimee Liu, Linda Palmer, Andrea Seigel, Christopher Meeks, Dinah Lenny, Mark Haskell Smith, Jessica Barksdale Inclan, Laurel Ann Bogen, Bruce Bauman, Cecilia Manguerra Brainard (moi), Samantha Dunn, Mary Otis, Lou Mathews, Tod Goldberg, and Suzanne Lummis. This year's publication party was dedicated to poet Philomene Long who is retiring after 16 years of teaching at the Writers' Program. The party was held at the Skirball Cultural Center.

Visitors included Wanda Coleman and Austin Strauss, whom I haven't seen in years. I particulary enjoyed seeing Lou Mathews, Philomene, Aimee, Suzanne, and Lauren Ann Bogen again. Some former students showed up Ben, Ken, Emily, and Beverly. Actually it was fun to watch my students be entertained and dazzled by the event. The auditorium had a seating capacity of 300 people; I'd say around 250 were there.

UCLA Extension's Writers' Program under the leadership of Linda Venis has been excellent in creating a literary community among its writer/teachers and students. I took writing classes at the Writers' Program before Linda, and I know about the wonderful changes and growth Linda has initiated.

And the poets - how I love their uniqueness, their lonely yet persistent voices.

Dutton's Brentwood sold copies of the book. PE was supposed to provide copies of Ala Carte Food & Fiction to Dutton's but in the last minute I got a phone call from Dutton's that PE couldn't and they asked if I had personal copies. I gave Dutton's copies with an invoice. I had books on consignment at Dutton's Brentwood in the past and they didn't pay for all. So this time I was prepared with the invoice.

Philomene Long and I recalled where we first met, and that was at the First Annual Publication Party in 1994, held at the UCLA Extension facilities in the Santa Monica Mall. I told Philomene my grandmother's name was Filomena, and we went on to talk about St. Philomene. I just learned tonight that Philomene had been a nun. Here's how Linda Venis described her:

"Philomene Long - poet, filmmaker, devoted wife to legendary Venice poet John Thoma, former nun, Zen Buddhist, and Beat Queen of Venice..."

A small wrinkle about the reading: despite firm instructions for the readers not exceed 5 minutes - and in fact, some poor staff member had to sit in back of the auditorium to time everyone and flash a laser beam at 4 minutes, and again at 5 - some people still exceeded their alloted time. I wondered if perhaps they thought one page equals one minute reading time. But the fact is they were unprepared. They had not timed themselves; they had not worked on their excerpt beforehand.

It's thoughtless of course. I practise and time myself, making sure I do not exceed my alloted time, and also so I can do a decent presentation. Some writers rush and try to squeeze as much as they can, which of course is disastrous because the audience can barely understand them. Fortunately 5 minutes per reader is short enough so the audience can tolerate just about anything. But it's just too bad that writers don't realize that it's infinitely better if they slow down, pace their work, let the words, phrases, and sentences breathe.

I remember how the actress Jude Narita worked with me for a reading many years ago. She took the story and underlined words that should be emphasized. She analyzed each sentence as to it's emotional content, and she also taught me how to look at the audience at the back rows - I think the reason for this was so people could see your eyes. Jude would go, "Is it, 'We ate greasy HAMBURGERS? or is it We ate GREASY hamburgers?'" I've always remembered what Jude taught me about performances.

All for now. This blog is morphing into something else. I had envisioned it to be a collection of essays - and now it's getting to be ... well ... a blog ... I guess that's okay.

(Old photo showing Jude Narita, standing left, some other writers at a reading, and Cecilia Brainard, bottom right.)