Showing posts with label Filipino writers. Show all posts
Showing posts with label Filipino writers. Show all posts

Wednesday, December 3, 2025

Cecilia Brainard Papers Arrived Ateneo de Manila University

Via ATENEO DE MANILA UNIVERSITY LITERARY AND CULTURAL STUDIES PROGRAM - Dec. 3, 2025 

The Balikbayan box containing the papers of Cecilia Manguerra Brainard has arrived all the way from California in pristine condition despite the natural calamities and political disturbances in the last three months. One of the most translated authors in our tradition, Brainard is a key Filipino American fictionist. Generously supported by the Kwan Laurel Fund for the Humanities, the Ateneo Archive of Philippine Literature in English is deeply honored to serve as the repository of Brainard’s papers consisting of invaluable photographs, journals, notes, and letters. 

 

Maraming salamat po, Ginang Brainard!

 

Charlie Samuya Veric, Director of the Ateneo Archive of Philippine Literature in English







 Tags: #booksphilippines  #writersphilippines #philippineliterature #filipinoliterature #filipinowriters

Monday, July 28, 2025

Old Photographs Filipino Writers with Cecilia Brainard

 I'm sorting out old photographs and I'll share some that include notable Filipino literary figures.  I will continue to add photos on this post, so check back:


Photo taken Oct. 1995 at the Cebu launch of Cecilia Brainard's ACAPULCO AT SUNSET AND OTHER STORIES,     l-r: Karina Bolasco (Anvil's publishing director), Cecilia Manguerra Brainard, Mila Santillan, Araceli Lorayes


 
Photo taken Oct. 1995 at the Manila launch of  ACAPULCO AT SUNSET AND OTHER STORIES, l-r: Cecilia Manguerra Brainard, Karina Bolasco (Anvil's publishing director), Mariel Francisco, Marj Evasco

This photo was taken at the 1995 launch of my second story collection, Acapulco at Sunset and Other Stories. This particular event was at the Ayala Museum. I recall that Ben Santos arrived a bit late, and the program had begun. When he walked in, slowly, as he was now ill, everyone paused and there was silence as he made his way to join us. He sat near me and my mother, and we talked.. He said he was losing his eyesight. I tried to console him. That was the last time I saw him alive. A few months late, he passed away.
He was very kind to me. He helped me as an emerging writer; he recommended my first story collection, Woman with Horns and Other Stories, for publication to Mrs. Gloria Rodriguez at New Day. He wrote me, encouraged and advised me. May he rest in peace.
There were several photos taken of us, but I just noticed that in this one we are holding hands. Bless him.



Circa early 1990s photo with Filipino American icon Helen Brown (seated in blue. To her right is Cecilia Brainard, to her left is Lee Colomby.


1998 photo taken at Cebu City Charter Day anniversary celebration. Cecilia is top left. She received an Outstanding Individual Award from the City of Cebu.


2000 photo taken in Paris, at Shakespeare and Company where Cecilia did a reading. To my left is Filipino writer Cris Yabes.

1997 photo taken at Montebello Villa hotel, l-r: Karina Bolasco, Cecilia Brainard, Chinggay Utzurrum, Erma Cuison, Teresita Manguerra



Read also:


 


Tuesday, July 1, 2025

John Iremil Teodoro Writes "Rediscovering Cecilia Manguerra Brainard"

 This totally made my day!


The writer and academic John Iremil Teodoro wrote about me and my work in his column in the Iloilo newspaper, the Daily Guardian. John writes about some of my books which he has enjoyed, my novel, MAGDALENA, and ACAPULCO AT SUNSET AND OTHER STORIES, among others.



In his article, he mentions our June 8, 2025 launch of HOW I BECAME A WRITER: ESSAYS BY FILIPINO AND FILIPINO AMERICAN WRITERS (Vibal), which includes 22 top notch Filipino writers, John included. John himself has published 20 books and received the prestigious SEA Write Award from the Kingdom of Thailand -- no small feat.


The other writers in HOW I BECAME A WRITER are: Merlie Alunan, Ian Casocot, Linda Ty-Casper, Aileen Cassinetto, Kristian Sendon Cordero, Neni Sta. Romana Cruz, Jose Dalisay, Noelle Q. De Jesus, Allan N. Derain, Migs Bravo Dutt, Yvette Fernandez, Caroline Hau, Luisa A. Igloria, Paulino Lim, Jr., Tony Perez (who recently passed away, RIP), Elmer Omar Pizo, Joel Pablo Salud, Eileen Tabios, Jack Wigley, and yours truly.

The writers in HOW I BECAME A WRITER have such wonderful honest write-ups about what led them to become these fine accomplished creative writers, prompting Resil Mojares (Philippine National Artist in Literature to say:
"How I Became a Writer: Essays by Filipino and Filipino American Writers offers intimate, fine-grained accounts in the making of what constitutes contemporary Philippine literature, provided by a remarkable set of Filipino writers in the Philippines and abroad, It is a book to be treasured."

Yes, I'm plugging this fine collection, because I'm genuinely proud of the writers in this book. You can pick up a copy from Lazada and Vibal Shop. It will eventually be listed in Amazon. To those in the US, dying to have a copy, message me.

Sunday, May 25, 2025

Celebrating STEP INTO OUR KITCHENS and HOW I BECAME A WRITER, edited by Cecilia Brainard, Published by Vibal

 

   

To celebrate the two books, STEP INTO OUR KITCHENS: THERESIAN RECIPES AND TALES and HOW I BECAME A WRITER: ESSAYS BY FILIPINO AND FILIPINO AMERICAN WRITERS, the following events are scheduled:

BOOK SIGNINGS in Cebu at Lost Books Cebu - +63-966-185-4126

May 30, 2025 - How I Became a Writer
11 am - Dr. Hope Sabanpan Yu
2 pm - Cecilia Manguerra Brainard

June 7 - Step Into Our Kitchens
11 am - Chef Pam Relampagos
2 pm - Ma. Patricia Aberasturi

TWIN BOOK LAUNCH IN MAKATI - Sat. June 7, 2025, 3 pm - 0947-987-3334

 


READ ALSO:

John Iremil Teodoro Writes "Rediscovering Cecilia Manguerra Brainard"

Author Cecilia Brainard Interview by Read Pinoy Philippine National Book Development Board

Cecilia Brainard Talks About Her Novel The Newspaper Widow and More - video link  

A Book Fair to Remember (And Get Ready For), by Cecilia Manguerra Brainard, Positively Filipino 

Carlos Roxas Interview of Cecilia Brainard re Frankfurt Book Fair 

Cecilia Brainard's Travel Report of Frankfurt Book Fair 2024







Sunday, November 3, 2024

How I Became a Writer - Ian Rosales Casocot - Filipino FilAm Series #1



Ian Rosales Casocot, Copyright by Ian Rosales Casocot

From Cecilia Brainard: I am proud to kick off my Guest Blog Series featuring Filipino and FilAm Americans writing on the topic: HOW I BECAME A WRITER.  Please stay tuned because I'll be featuring more accomplished writers here. All articles and photos are copyrighted by the individual authors. All rights reserved. Cecilia Brainard and PALH have permission from the authors to use their writings. To start us off, here is IAN ROSALES CASOCOT 

***

 Ian Rosales Casocot is the author of Don’t Tell Anyone, Bamboo Girls, Heartbreak & Magic, and Beautiful Accidents. He has won the Palanca nine times for his fiction, plays, and children’s poetry. In 2008, his novel Sugar Land was longlisted in the Man Asian Literary Prize. He was Writer-in-Residence for the International Writers Program of the University of Iowa in 2010. He is based in Dumaguete City

***

WHEN MOST WRITERS are asked to explain why they write, they evoke the usual responses: they are heeding the call of the archetypal storyteller, and they are perhaps also trying to approximate the divinity of creation. Thomas Berger once famously said, “Why do writers write? Because it isn’t there”—with such pronouncements, the writer aims to be God-like in the piecing together of a universe peculiar to his literature.

But the Pulitzer Prize-winning James A. Michener may have said it best when he tried to explain why he wrote stories: “I write at eighty-five for the same reasons that impelled me to write at forty-five; I was born with a passionate desire to communicate, to organize experience, to tell tales that dramatize the adventures which readers might have had. I have been that ancient man who sat by the campfire at night and regaled the hunters with imaginative recitations about their prowess. The job of an apple tree is to bear apples. The job of a storyteller is to tell stories, and I have concentrated on that obligation.”

            I like that word “obligation” that Michener uses, because the fact of the matter is—and this all of us here may know to be a throbbing truth—nobody really forces anybody to write stories, and in fact one can handily go through life without knowing how it is like to write well, or to read well.

            And yet we write. And we back our choices up by constructing a sense of personal aesthetics that would explain why indeed we write, and why we write what we do write.

Monday, September 25, 2023

Excerpt from THE INVENTOR by Eileen R. Tabios

 

Following is an excerpt from Eileen R. Tabios' recent book, The Inventor. It is reprinted with her permission. 

Marsh Hawk Press’ Introduction of THE INVENTOR by Eileen R. Tabios:

In 2023, Marsh Hawk Press releases Eileen R. Tabios’ THE INVENTOR, a unique project for providing insights into creating poetic forms against an autobiographical background and part of our “Chapter One” series acclaimed by Publishers Weekly for presenting the writers’ craft in real life. From Eileen R. Tabios: “I wrote THE INVENTOR, not because it’s about my life but, because it’s an autobiography that connects history, language, and poetry in a unique way beyond narratives. I learned English because it became widespread in my birth land, the Philippines, through U.S. colonialism. That caused me, as a young poet, to feel estranged from my raw material: English. My poetry practice, however, would lift me out of politics to meet poetry more directly as its own type of language. Ultimately, my prolonged engagement with poetry enabled me to create poetry inventions that metaphorically disrupts colonialism by generating communities of readers and writers worldwide. These inventions include the hay(na)ku which has spread globally among poets and the “Flooid” whose pre-writing condition precedent of a “good deed” makes poetry live redemptively and beyond the page. In THE INVENTOR, I show how Poetry is not mere words but a proactive approach to improving our relationships with each other and life on our planet.”

BOOK LINK TO THE INVENTOR: https://eileenrtabios.com/prose-collections/the-inventor/


Saturday, November 5, 2022

Interview of Filipino Novelist Linda Ty-Casper

 


 INTERVIEW OF LINDA TY-CASPER

I did this interview of the Filipino author Linda Ty-Casper several years ago, before her husband the noted literary critic Leonard Casper passed away. I am sharing it as part of the celebration of the release of her new book, WILL YOU HAPPEN, PAST THE SILENCE, THROUGH THE DARK? REMEMBERING LEONARD RALPH CASPER. 

 

In this book, Linda collects letters to and from her late husband into a collection she calls his "Memoir." The book is avaiable from Amazon.com, Barnes and Noble, and palhbooks.com~ Cecilia Brainard

 


Where were you born? When? Number of siblings?

I was born in the Mary Chiles Hospital, Tondo or Santa Cruz, Manila, September 17, 1931. Just we two, but we had many cousins who were like brothers and sisters to us.

 

What was your family like? (Siblings, Where did you live? What were your parents like? Family activities. Games? Read a lot? Athletic family?

I just have one sister, younger; Freida. We both attended George Elementary in Santa Cruz; Caloocan High, and U.P. She took Public Administration, was Chief of Personnel of the defunct Batasan Pambansa. She’s retired now; visits her son in LA. Other son: a Lt. colonel; youngest son, a doctor. Seven apos. Len and I have none.

 

After I was born we lived in Santa Cruz. My grandmother’s brother had a house on Felix Huertas which faced on open field that became the Manila Jockey Club. When she moved her family (after her husband died) from San Isidro, that was one of the places where she stayed temporarily before moving to 604 Calle Camarines which intersects with Felix Huertas; an accessoria now called townhouse. She had 4 living daughters, three other children died in San Isidro. She had lived through the Revolution against Spain, the Philippine-American War.

 

Friday, September 2, 2022

L.M. Grow Write-Ups re Filipino Writer Cecilia Brainard

 

 

 

Dr. L.M. Grow, Author, Emeritus Senior Professor at Broward College, and Literary Critic whose career specialty was Philippine Literature sent me some writeups he did of my first novel, WHEN THE RAINBOW GODDESS WEPT, also known as SONG OF YVONNE.

    I am posting scans of the writeups.

First is a chapter from his book, AND QUIET FLOWS THE DAWN:

Friday, August 28, 2020

The Eye of the Needle, short story by Gilda Cordero-Fernando

  

Gilda Cordero-Fernando b 1930-d 2020

Gilda Cordero-Fernando passed away on August 27, 2020. To honor her, I am reprinting her story, The Eye of the Needle, which is part of the collection Growing Up Filipino: Stories for Young Adults (ed Cecilia Brainard, published by PALH, 2003).  Reprinted by permission of PALH.

Please read "Literary Luminary and Cultural Icon Gild Cordero-Fernando Dies at 90".

Following is the excerpt with her story from the anthology.

GILDA CORDERO-FERNANDO
Gilda Cordero-Fernando was born and raised in Manila, Philippines. She received her B.A. and B.S. in Education from St. Theresa’s College; and her M.A. from the Ateneo Graduate School. She wrote short fiction in her "early housewife" years, from 1952-1970, then put it behind her to go into non-fiction and publishing. Her most recent collection is entitled Story Collection (Anvil 1994). As publisher, Gilda trailblazed with big and beautiful illustrated Filipiniana volumes such as Turn of the Century, Culinary Culture of the Philippines, and History of the Burgis. She was the Patnubay ng Sining awardee for literature in the 1993 Araw ng Maynila, and the Cultural Center of the Philippines' Gawad awarded for literature and publishing in 1994. She has also produced children's books; she has painted; she has organized fashion shows ― Gilda's ways for artistic expression have been boundless.

Wednesday, December 15, 2010

A List of Filipino Writers by Ryan, Free Writing Center

Found this in the site of Free Writing Center, posted by Ryan; thank you for including me in your list.
http://www.freewritingcenter.com/a-list-of-filipino-writers/
A LIST OF FILIPINO WRITERSposted by Ryan,Nov. 17, 2010

In the English speaking world, many people don’t realize just how wonderful non-English speaking writers are. One of the communities that produce some of the most amazing writers is the Filipino community - so I’ve decided to offer this list of Filipino writers for our Filipino readers.

The following are a top list of Filipino writers, but at the bottom of this article you’ll also find a list of about thirty more that deserve mention.

Top 10 List of Filipino WritersIn a literary world dominated by English-speaking writers, it isn’t always easy to make your mark as a Filipino writer. However, the culture and heritage embodied by the carefully crafted words of some writers pay tribute to the creativity and writing skill of this community.

The following writers are a few of the best Filipino writers you’ll find. Whether you are Filipino or simply love the culture, make sure to check out these writers.

Manuel ArguillaManuel Arguilla was the author of the 1940 book of short stories titled How My Brother Leon Brought Home A Wife. It took first prize for short stories in the 1940 in the First Commonwealth Literary Contest. People that knew him said that he enjoyed doing his writing around one or two in the morning, when the stories came to him easily.

His stories reflect the heritage of his home town Barrio Nagrebcan, Bauang, La Union. Even though he moved away to Manila to earn his degree at the University of the Philippines in 1933, his heart remained back home.

Although his life seemed to revolve only around writing, teaching creative writing at the University and later editing Welfare Advocate for the Bureau of Public Welfare, there was a deeper aspect to Manuel. He expressed his political stance by putting together an intelligence unit to thwart the Japanese in WWII.

In October of 1944, he was captured by the Japanese army and brought to Fort Santiago, where he was tortured for information and then executed. He left behind his wife, Lydia Villaneuva, who happens to be another excellent Filipino writer.

Cecilia Manguerra BrainardCecilia is an award-winning female Filipino author with a significant writing career including eight novels. Born in Cebu, Philippines, she wrote When the Rainbow Goddess Wept, the novel she is best known for. Other books include Magdalena, three books of short stories, Philippine Woman in America, Cecilia’s Diary 1962-1968 and Fundamentals of Creative Writing.

She also collaborated with four other female authors on the novel Angelica’s Daughters.

She received plenty of awards for her work, including a Brody Arts Fund Award, a Special Recognition Award, a Certificate of Recognition from the California State Senate, the Filipinas Magazine Award for Arts and the Outstanding Individual Award from Cebu, Philippines where she grew up.

She continues to teach and lecture about creative writing, and lives with her husband and former Peace Corp volunteer Lauren Brainard, as well as their three sons, in Leyte, Philippines.

Angela Manalang GloriaTo branch out into other areas of creative writing, it’s only fair to cover Angela Manalang Gloria, a pianist and poet who, despite her tragic life, wrote notable lyrical poets - sonnets - as part of her love of music. You can find a partial collection of her poems in Poems (1940).

One reviewer commented that her poems are “sweeter and more tender [and more melodious] than Tarrosa’s”.

Born in Albay, from a young age she loved reading and music. She started playing the piano at a very young age. Schooled within the girls’ schools run by the religious orders of the region, she was always top of her class. Her life was an exploration of talents, from being a pianist, to attending pre-law school, and even painting and art. Everything about her portrayed a skilled creativity.

Eventually she served as a literary editor at Philippine Collegian, and while there she married editor-in-chief Celedonio Goria, who later became a lawyer. Her storybook life took a turn for the worse during her work as an editor at Herald Mid-Week Magazine, when she became ill. To make matters worse, her husband served in World War II and lost his life. Many say that the harsh realities of her life transformed her into a pragmatist - and at the close of her life she no longer contributed as a Filipino writer…instead she entered into business and became financially successful on her own.

Additional List of Filipino Writers
Marivi Soliven Blanco earned her Literature digree from Simons College in Boston, and her mass communications degree in the Philippines. She wrote The Unicorn, Chief Flower Girl and The Toad and the Princess to name a few. In 1992 she won second prize in the Don Carlos Palanca Memorial Award for Literature.

Norma Olizon-Chikiamco was a journalist and editor of Food Magazine, Sunday Globe, Metro and Celebrity Magazine. She won first prize in the 1995 Don Carlos Palance Memorial Awards for Literature.

Leoncio P. Deriada won the 1994 Don Carlos first prize for The Man Who Hated Birds, and wrote The Dog Eaters and Other Plays, Night Mares and The Week of Whales.

Lina B. Diaz de Rivera won 2nd prize in the 1996 Don Carlos Awards for The Gem. She had her masters in reading and doctorate in English, and wrote Ferry in the Sun, Goldon Galleon and English for High School.

Angelo Rodriguez Lacuesta won 3rd prize in the 1996 Don Carlos for The Daughter of the Wind. He had a debree in biology, and published work in various magazines and journals such as Likhaan Anthology of Poetry and Fiction, The Evening Paper, The Philippine Daily Inquirer, and Sunday Inquirer Magazine.

Twink Macaraig won first prize in the Don Carlos in 1994 for What is Serendipity? She was a news anchor in Singapore, and wrote The Ultimate, and the Absolutely Indispensable Guide to Food Delivery in Metro Manila. She is currently a news anchor for Asia Business News in Singapore.

Ino M. Manalo won third prize in the Don Carlos in 1993 for Little Bird, Little Fish, and the Two Elephants. He also wrote The Architect’s Design and Botong: Alay at Alaala.

As you can see, the list goes on and on. The Filipino community clearly added a great deal to the Literary advancement of the world, and continues to do so every day.

*****
Ryan is a technology writer and investigative blogger. He has been working as an online writer for numerous clients for over 5 years, and now consults webmasters and blog owners about effective SEO optimization. Ryan has 53 post(s) at Free Writing Center

Saturday, November 17, 2007

NEWS FROM CEBU WRITER CHINGGAY UTZURRUM







Thanks to Cebu writer (and dear friend) Chinggay Utzurrum, who sent some news clippings and pictures of my last visit to Cebu in June-July 2007. She writes:

"Greetings from Cebu. Hope this short note finds you in good shape and enjoying Autumn.

We're all fine here - WILA - Women in Literary Arts - (under Erma Cuizon) celebrated an anniversary recently, which I wasn't able to attend unfortunately. It was a blast, kono.

Enclosed are some clippings (one is dated 2003 - sorry about this antique piece) but I know you'll want this for your file.

Also one during your very enjoyable book launching (of A La Carte, Food & Fictin), and a photo.

Keep well and stay in touch.

Regards to Lauren and the boys.

Love,

Chinggay

I've known Chinggay De Veyra Utzurrum since St. Theresa's Cebu years. She was and remains lovely, bright, energetic, and social. Once we shared a room in Iloilo City where we went for the Dinagyan Festival. You don't really know a person until you've traveled with them! Ching was the most considerate travelmate one could have. In the room, which we shared, she was very conscious about when to turn lights on and off, so as not to disturb me. She was always considerate about the use of the bathroom, which she left this in impeccable condition. My mother described Ching as "muy educada!" She is indeed a first class lady!


(Photo seated l-r: Cecilia, Susan Evangelista
Standing l-r: Chinggay Utzurrum, Jun Dumdum
Above 2 news articles (Sunstar Cebu)are about the June Book Launching of A La Carte, Food & Fiction in Cebu City, Philippines - some of those in the news photos are: Inday Blanco, Erma Cuizon, Susan Evangelista, Karina Bolasco, Carlos Cortes; the whole page news article shows photos of: Helen Misa, Lucy Franco, Bambi Beltran, Ester Tapia, Gingging and Jun Dumdum; Jason Verallo, Louie Nacorda, Gavin Bagares, Radel Paredes, Dr. Juliet Basa, Haide Acuna, Mae Manacap, Mayette Tabada, Josefa Gorordo Y Revilles, Terry Manguerra, Tanya, Jojo, Chessy, Marty Manguerra, and Patti Aberasturi.)
Bottom news article (The Freeman) is about Dr. Linda Alburo's trip to the U.S.; we had the chance to see each other in California at a book launching)

Thursday, June 7, 2007

UCLA WRITERS' PROGRAM Publication Party, and Other matters

Great publication party as usual. Linda Venis, Director of the Writers' Program at UCLA Extension always throws the best pub parties. Tonight 18 writers launched their books/journals. In order of appearance: Philomene Long, Rob Roberge, Aimee Liu, Linda Palmer, Andrea Seigel, Christopher Meeks, Dinah Lenny, Mark Haskell Smith, Jessica Barksdale Inclan, Laurel Ann Bogen, Bruce Bauman, Cecilia Manguerra Brainard (moi), Samantha Dunn, Mary Otis, Lou Mathews, Tod Goldberg, and Suzanne Lummis. This year's publication party was dedicated to poet Philomene Long who is retiring after 16 years of teaching at the Writers' Program. The party was held at the Skirball Cultural Center.

Visitors included Wanda Coleman and Austin Strauss, whom I haven't seen in years. I particulary enjoyed seeing Lou Mathews, Philomene, Aimee, Suzanne, and Lauren Ann Bogen again. Some former students showed up Ben, Ken, Emily, and Beverly. Actually it was fun to watch my students be entertained and dazzled by the event. The auditorium had a seating capacity of 300 people; I'd say around 250 were there.

UCLA Extension's Writers' Program under the leadership of Linda Venis has been excellent in creating a literary community among its writer/teachers and students. I took writing classes at the Writers' Program before Linda, and I know about the wonderful changes and growth Linda has initiated.

And the poets - how I love their uniqueness, their lonely yet persistent voices.

Dutton's Brentwood sold copies of the book. PE was supposed to provide copies of Ala Carte Food & Fiction to Dutton's but in the last minute I got a phone call from Dutton's that PE couldn't and they asked if I had personal copies. I gave Dutton's copies with an invoice. I had books on consignment at Dutton's Brentwood in the past and they didn't pay for all. So this time I was prepared with the invoice.

Philomene Long and I recalled where we first met, and that was at the First Annual Publication Party in 1994, held at the UCLA Extension facilities in the Santa Monica Mall. I told Philomene my grandmother's name was Filomena, and we went on to talk about St. Philomene. I just learned tonight that Philomene had been a nun. Here's how Linda Venis described her:

"Philomene Long - poet, filmmaker, devoted wife to legendary Venice poet John Thoma, former nun, Zen Buddhist, and Beat Queen of Venice..."

A small wrinkle about the reading: despite firm instructions for the readers not exceed 5 minutes - and in fact, some poor staff member had to sit in back of the auditorium to time everyone and flash a laser beam at 4 minutes, and again at 5 - some people still exceeded their alloted time. I wondered if perhaps they thought one page equals one minute reading time. But the fact is they were unprepared. They had not timed themselves; they had not worked on their excerpt beforehand.

It's thoughtless of course. I practise and time myself, making sure I do not exceed my alloted time, and also so I can do a decent presentation. Some writers rush and try to squeeze as much as they can, which of course is disastrous because the audience can barely understand them. Fortunately 5 minutes per reader is short enough so the audience can tolerate just about anything. But it's just too bad that writers don't realize that it's infinitely better if they slow down, pace their work, let the words, phrases, and sentences breathe.

I remember how the actress Jude Narita worked with me for a reading many years ago. She took the story and underlined words that should be emphasized. She analyzed each sentence as to it's emotional content, and she also taught me how to look at the audience at the back rows - I think the reason for this was so people could see your eyes. Jude would go, "Is it, 'We ate greasy HAMBURGERS? or is it We ate GREASY hamburgers?'" I've always remembered what Jude taught me about performances.

All for now. This blog is morphing into something else. I had envisioned it to be a collection of essays - and now it's getting to be ... well ... a blog ... I guess that's okay.

(Old photo showing Jude Narita, standing left, some other writers at a reading, and Cecilia Brainard, bottom right.)