I attended a luncheon for Mr. and Mrs. F. Sionil Jose, attended by: Jobers Bersales, Resil Mojares, Henry Go, Erma Cuizon, Hope Yu, Mayen Tan. Topics included literature, history, personalities, and more -- it was a 3 1/2 hour lunch, followed by a photo shoot. Here are some pictures:
Here's a link with the biography of F. Sionil Jose:
http://en.wikipedia.org/wiki/F._Sionil_Jos%C3%A9
tags: Cebu, Philippine literature, Resil Mojares, F. Sionil Jose, Frankie Jose, novelist, author, writer, Filipino, Cecilia Brainard
Sunday, January 27, 2013
Lunch with Mr. & Mrs. F. Sionil Jose in Cebu
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Saturday, January 26, 2013
New BPI Museum in Historic Cebu
Louie Nacorda invited me to visit the new BPI (Bank of the Philippine Islands) in Cebu City. This museum is another welcome develop in the Historic District of Cebu City. The Bank Manager Carlos Apuhin gave us a grand tour of this museum, which includes a small art gallery in one wing. The building of BPI is a designated historic building, although it continues to function as a bank. The inside space was far bigger than needed, with a very high ceiling to boot. The interior space was redesigned to reduce the work space -- the area that has to be lit and cooled by air conditioners, costing quite a lot of money. The new interior design had space around the work area, space which is now the museum.
This museum provides a look at the banking and financial history in Cebu from the time of Queen Isabela in the 1800s, through the Spanish colonial period, American period, Japanese Occupation, to the present. It's an interesting museum, which is right next door to other tourist sites: Magellan's Cross, Santo Nino Basilica, and Fort San Pedro. The Chinese Heritage Museum is being developed just across the way. A lot of development in historic Cebu, including new parks: Senior Citizen's Park and Collins Children's Park.
Here are some pictures of the BPI Museum. The viewing of the BPI museum is by-appointment, so contact Carlos Apuhin beforehand.
tags: Travel, tour, Cebu, Philippines, Asia
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
F. Sionil Jose in Cebu - Play, Progress
I just got back from a lecture by Filipino author, F. Sionil Jose (Frankie) followed by a theatrical performance based on his short story, Progress. I was happy to see Frankie and his wife Tess. It was the Cebuana writer, Lina Espina Moore who introduced me to them back in the 1987 soon after the release of my first book, Woman With Horns and Other Stories. We launched the book in La Solidaridad, the bookshop run by the Joses. Frankie and Tess have been most kind to me, launching my other titles in their iconic bookshop, La Solidaridad. One of the books was launched the day Mount Pinatubo exploded; I remember the layer of ash on everything when we left the bookstore - but that is a whole long story by itself.
I saw Frankie in California when he was there a number of years ago, then followed many years when I didn't see him. When Mayen Tan (Lifestyle Editor for Cebu's The Freeman) invited me to tonight's event, I said, "Yes!"
Filipinos know that F. Sionil Jose is an important Filipino writer; to my non-Filipino readers, let me say that F. Sionil Jose has the great honor of being one of the Philippines' National Artists.
So tonight, Frankie talked a bit and the Cebuano cast directed by Henry put on their entertaining as well as educational play version of Frankie's fiction set during the Marcos era. It's about a female public servant who is given the runaround and more just to get her promotion. Frankie's story has a serious tone; the play had a lighter tone. The auditorium at CAP was filled with mostly students, who enjoyed the play and asked intelligent questions after the show.
If you're in Cebu, I do recommend the show. Here are some pictures:
~~~
Comment from Michael Angelo Renoy Mapute, January 26:
Thank you Ms. Brainard for gracing the musical play, Progress, a deconstruction of F. Sionil Jose's short story.
More than enthralled, I was surprised to see not only Sionil himself but also the "visionary" creative author, Cecilia Manguerra Brainard.
It was staged last night at the CAP Bldg., of Cebu City attended by other local writers from Cebu.
Their presence is more than a show of support to the local talents of Cebu.
~~~~~
tags: Filipino, Philippine, literature, F. Sionil Jose, Cecilia Brainard, writers
I saw Frankie in California when he was there a number of years ago, then followed many years when I didn't see him. When Mayen Tan (Lifestyle Editor for Cebu's The Freeman) invited me to tonight's event, I said, "Yes!"
Filipinos know that F. Sionil Jose is an important Filipino writer; to my non-Filipino readers, let me say that F. Sionil Jose has the great honor of being one of the Philippines' National Artists.
So tonight, Frankie talked a bit and the Cebuano cast directed by Henry put on their entertaining as well as educational play version of Frankie's fiction set during the Marcos era. It's about a female public servant who is given the runaround and more just to get her promotion. Frankie's story has a serious tone; the play had a lighter tone. The auditorium at CAP was filled with mostly students, who enjoyed the play and asked intelligent questions after the show.
If you're in Cebu, I do recommend the show. Here are some pictures:
~~~
Comment from Michael Angelo Renoy Mapute, January 26:
Thank you Ms. Brainard for gracing the musical play, Progress, a deconstruction of F. Sionil Jose's short story.
More than enthralled, I was surprised to see not only Sionil himself but also the "visionary" creative author, Cecilia Manguerra Brainard.
It was staged last night at the CAP Bldg., of Cebu City attended by other local writers from Cebu.
Their presence is more than a show of support to the local talents of Cebu.
~~~~~
tags: Filipino, Philippine, literature, F. Sionil Jose, Cecilia Brainard, writers
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Thursday, January 24, 2013
F. Sionil Jose in Cebu
I'm looking forward to F. Sionil Jose's lecture and play this Saturday in Cebu - click on link for more details:
http://cebufinest.com/f-sionil-joses-progress-once-again-in-cebu-on-january-2013/
http://cebufinest.com/f-sionil-joses-progress-once-again-in-cebu-on-january-2013/
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Wednesday, January 23, 2013
Beautiful New Park in Cebu City, across City Hall
Oh wow! This is a beautiful new park in Cebu City, right across the City Hall near the old Carbon Market. It's called Senior Citizens Park, but it obviously is for everybody.
There are also a lot of other developments in Historic Old Cebu and I'll be posting picture in these coming days.
http://mycebuphotoblog.wordpress.com/2012/12/06/senior-citizens-park/
There are also a lot of other developments in Historic Old Cebu and I'll be posting picture in these coming days.
http://mycebuphotoblog.wordpress.com/2012/12/06/senior-citizens-park/
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Sunday, January 20, 2013
Doug Noble's Birthday AND Traveling With Doug, by Cecilia Brainard
Douglas Noble's Birthday - scroll down for essay Traveling With Doug, by Cecilia Brainard
Cecilia Brainard
Through the years, Lauren and I have
travelled with Doug Noble. We were together in Cambria, Central Coast, in
cruises to Alaska and South America, San Miguel Allende with Hilary Walling and
Myrna Horton, and the Philippines with the Allens. We also did an Overseas
Adventure Tours trip with him and Hilary Walling to Vietnam; and last April,
Doug was with us in Malaysia, then on to Burma to join Kim Holmquist, Patrick
Culbertson, Richard Bakke, and Hilary for a memorable trip led by my friend,
John Silva.
What amazes me is that Doug packs
very light, two very small bags and that’s it. In the one bag that’s slighter
bigger than a briefcase, he has his clothes; in the other, he has his camera
gear and his journals. He never checks the latter in and has a fit when he’s
separated from this bag. He will spend hours writing in his journal, blow by
blow accounts of what happened each day; I used to keep travel journals but
when we’re with Doug, I stopped and just let him do all the work. He very
kindly sends me copies upon request.
As a camera/video person, he is most
competitive, and I’ve seen him curse another avid photographer in Hanoi when
the man got between Doug and a woman making rice paper. “God-damn-it!” with the
stamping of the feet. But he later made
up with the fellow and they became respectful pals during the rest of the trip.
Another example of Doug’s passion for picture-taking happened in the
Philippines when we arrived at the Bonifacio house/Museum. Eyes focused on the
house, Doug rushed out of the van, and in his ardor failed to see the metal
gate, or failed to see that the entryway wasn’t very big. He didn’t duck when
he entered and slammed his forehead against the heavy Spanish Colonial metal so
badly, he gouged his forehead and bled like you’ll never believe – I think you
can still see the dent on his forehead.
Food: hmmm, we have a lot of stories
about this one.
In cruises, he was famous for trying
up to three soups, and five desserts all in one sitting. During those cruises,
he liked to hang around the library where he’d work on a jigsaw puzzle; and
during the non-sailing days, he knew the schedule of all the trivia games,
raising these to a competitive level that Princess Cruise Lines is still talking
about.
More on food – in Buenos Aires, he
had this idyllic idea of where we would have lunch – there were five of us, the
Rosses were also there; but jet-lagged and tired from the morning’s walk, the
four of us outvoted him and stood in line for empanadas in a small take-out place
across our hotel. Before we fully
understood what happened, Doug got pissed at the people and stomped out. He
did not want take-out empanadas, you see, he wanted us seated in a nice
restaurant in Buenas Aires, having our grass-fed steaks and sangria. But back
in the hotel, he regained his composure. I understood then that despite the
American competitiveness, Doug is a Victorian romantic, which is why he loves High
Tea in historic hotels, and why he will stay in them even though they’ve been
downgraded to two or three stars.
Oh, and Chinese food – don’t bring
Doug to Chinese restaurants. We made this mistake in Makati, when the four of
us (we were with the Allens) opted for Chinese food, and Doug was very unhappy
about the food. “I hate Chinese food,” he said, and after dinner, he separated
himself from us saying, “I have to find ice cream to wash away the awful taste
of Chinese food.” Consequently, whenever
we see a Chinese restaurant called "Noble House" we always say, “There’s Doug’s
restaurant.”
One last thing about food – he’s the
first to laugh at the food supply I bring when I travel – I will have a bottle
of Margarita, See’s candies, cheese, salami, and other goodies. But he’s first
in line when I serve my Margarita, cheeses, and salami.
We’ve had great times travelling
with Doug, and are looking forward to more.
-end-
~~~~~
tags: friends, family, Cecilia Brainard, birthday party
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Saturday, January 19, 2013
Cebu Philippines, Sinulog 2013
A friend asked what Pit Senyor means and I believe it's a corruption of "Sampit sa Senyor" meaning "Call Senior (God).
The sinulog festival is ongoing in Cebu, Philippines, and here are some links. There are some four million visitors:
http://www.youtube.com/watch?v=JEmQLOVfcbU
http://www.youtube.com/watch?v=NDfx-xyRj04
http://www.youtube.com/watch?v=s-khvErCrvw
And here's the most recent update re Gwendolyn Garcia who danced at the Sinulog
http://newsinfo.inquirer.net/343775/gwen-garcia-dances-all-her-heart-out-at-sinulog-festivities
The sinulog festival is ongoing in Cebu, Philippines, and here are some links. There are some four million visitors:
http://www.youtube.com/watch?v=JEmQLOVfcbU
http://www.youtube.com/watch?v=NDfx-xyRj04
http://www.youtube.com/watch?v=s-khvErCrvw
And here's the most recent update re Gwendolyn Garcia who danced at the Sinulog
http://newsinfo.inquirer.net/343775/gwen-garcia-dances-all-her-heart-out-at-sinulog-festivities
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Tuesday, January 15, 2013
Prayer for Healing the Family Tree
I love this prayer!
PRAYER FOR HEALING THE FAMILY TREE
PRAYER FOR HEALING THE FAMILY TREE
"Heavenly
Father, I come before you as your child, in great need of your help; I
have physical health needs, emotional needs, spiritual needs, and
interpersonal needs. Many of my problems have been caused by my own
failures, neglect and sinfulness, for which I humbly beg your
forgiveness, Lord. But I also ask you to forgive the sins of my
ancestors whose failures have left their effects on me in the form of
unwanted tendencies, behavior patterns and defects in body, mind and
spirit. Heal me, Lord, of all these disorders.
With
your help I sincerely forgive everyone, especially living or dead
members of my family tree, who have directly offended me or my loved
ones in any way, or those whose sins have resulted in our present
sufferings and disorders. In the name of your divine Son, Jesus, and in
the power of his Holy Spirit, I ask you, Father, to deliver me and my
entire family tree from the influence of the evil one. Free all living
and dead members of my family tree, including those in adoptive
relationships, and those in extended family relationships, from every
contaminating form of bondage. By your loving concern for us, heavenly
Father, and by the shed blood of your precious Son, Jesus, I beg you to
extend your blessing to me and to all my living and deceased relatives.
Heal every negative effect transmitted through all past generations, and
prevent such negative effects in future generations of my family tree.
I
symbolically place the cross of Jesus over the head of each person in
my family tree, and between each generation; I ask you to let the
cleansing blood of Jesus purify the bloodlines in my family lineage. Set
your protective angels to encamp around us, and permit Archangel
Raphael, the patron of healing, to administer your divine healing power
to all of us, even in areas of genetic disability. Give special power to
our family members' guardian angels to heal, protect, guide and
encourage each of us in all our needs. Let your healing power be
released at this very moment, and let it continue as long as your
sovereignty permits.
In
our family tree, Lord, replace all bondage with a holy bonding in
family love. And let there be an ever-deeper bonding with you, Lord, by
the Holy Spirit, to your Son, Jesus. Let the family of the Holy Trinity
pervade our family with its tender, warm, loving presence, so that our
family may recognize and manifest that love in all our relationships.
All of our unknown needs we include with this petition that we pray in
Jesus' precious Name. Amen."
+++++++++++++++
St. Joseph, Patron of family life, pray for us.
St. Joseph, Patron of family life, pray for us.
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Cebu Updates - links re Gwendolyn Garcia
I've been following events in Cebu, in particular about Suspended Governor Gwen Garcia. Here are some links about the topic:
LP-Cebu to File Charges Against Gwendolyn Garcia
http://www.gmanetwork.com/news/story/290202/news/regions/lp-cebu-to-file-charges-vs-suspended-gov-garcia
UNA - Additional Charges Against Garcia Politically Motivated
http://www.sunstar.com.ph/breaking-news/2013/01/15/una-additional-charges-vs-cebu-guv-politically-motivated-263004
Archbishop of Cebu, Jose Palma Visited Gwendolyn Garcia
http://www.sunstar.com.ph/cebu/local-news/2013/01/14/palma-visits-gwen-his-anniversary-262780
Court of Appeals not Inclined to Grant TRO
http://newsinfo.inquirer.net/338865/court-asks-who-would-suffer-more-injury-gwen-or-govt
Garcia Can Dance During Sinulog
http://www.sunstar.com.ph/cebu/local-news/2013/01/12/gwen-can-dance-during-sinulog-devotee-not-guv-magpale-262497
Gwen Dances at 2013 Sinulog
http://newsinfo.inquirer.net/343775/gwen-garcia-dances-all-her-heart-out-at-sinulog-festivities
http://newsinfo.inquirer.net/343709/gwen-garcia-leaves-cebu-capitol-to-take-part-in-sinulog-parade
LP-Cebu to File Charges Against Gwendolyn Garcia
http://www.gmanetwork.com/news/story/290202/news/regions/lp-cebu-to-file-charges-vs-suspended-gov-garcia
UNA - Additional Charges Against Garcia Politically Motivated
http://www.sunstar.com.ph/breaking-news/2013/01/15/una-additional-charges-vs-cebu-guv-politically-motivated-263004
Archbishop of Cebu, Jose Palma Visited Gwendolyn Garcia
http://www.sunstar.com.ph/cebu/local-news/2013/01/14/palma-visits-gwen-his-anniversary-262780
Court of Appeals not Inclined to Grant TRO
http://newsinfo.inquirer.net/338865/court-asks-who-would-suffer-more-injury-gwen-or-govt
Garcia Can Dance During Sinulog
http://www.sunstar.com.ph/cebu/local-news/2013/01/12/gwen-can-dance-during-sinulog-devotee-not-guv-magpale-262497
Gwen Dances at 2013 Sinulog
http://newsinfo.inquirer.net/343775/gwen-garcia-dances-all-her-heart-out-at-sinulog-festivities
http://newsinfo.inquirer.net/343709/gwen-garcia-leaves-cebu-capitol-to-take-part-in-sinulog-parade
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Monday, January 14, 2013
This and That from my Facebook Site, Cecilia Brainard
This and...
That
Sinulog Week in Cebu, Philippines
An image in a crowd ... a long time ago....
"In a grimy gray drizzle, under ragged black flags that lifted and waved balefully in the fitful air; to the wail of a single piper, on streets winding through charred and blasted brick spray-painted with slogans of hate; by silent tens of thousands, past fathers holding sons face-forward that they might remember the day, past mothers rocking and shielding prams that held tomorrow's fighters, past old men who blew their rheumy noses and remembered their own days of rage ... Bobby Sands was carried yesterday to a grave of raw Ulster mud."~ 1981 report from Belfast by Richard Ben Cramer who passed away on January 7, 2013.
That
Sinulog Week in Cebu, Philippines
An image in a crowd ... a long time ago....
"In a grimy gray drizzle, under ragged black flags that lifted and waved balefully in the fitful air; to the wail of a single piper, on streets winding through charred and blasted brick spray-painted with slogans of hate; by silent tens of thousands, past fathers holding sons face-forward that they might remember the day, past mothers rocking and shielding prams that held tomorrow's fighters, past old men who blew their rheumy noses and remembered their own days of rage ... Bobby Sands was carried yesterday to a grave of raw Ulster mud."~ 1981 report from Belfast by Richard Ben Cramer who passed away on January 7, 2013.
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Friday, January 11, 2013
Article on Museo Sugbo, creation of Gwendolyn Garcia by Cecilia Brainard
I'm sharing a piece published in Zee Quarterly about the Museo Sugbo. It was the beleaguered Gov. Gwendolyn Garcia who envisioned and made happen this highly rated museum in Cebu. Garcia has been holed up in the Capitol since before Christmas
because of a Presidential suspension. I don't have the facts so I can't
judge her, but I know that she did some good projects in Cebu,
including creating this fine museum. I will state that the Liberal Party
leaders in Manila seem to be messing around with Cebu's politics,
positioning I suppose for the upcoming May elections.
Manila, Cebuanos are paying attention.
A STORY OF HOPE
Cecilia Manguerra Brainard
Published in Zee Lifestyle, June 2010
My family called it, “Ang Palacio ni Yvonne - Yvonne’s Palace.” We used to drive by it most afternoons after Papa picked us up from our schools and took us on a ride. The route included a stop at the kiosk near Magellan’s Cross for Coca Cola and packages of M&Ms; a drive down the pier for fresh sea air; a stop at Monay’s Bakery for hot Pan Frances and Pan Monay; then the ride home down what is now M.J. Cuenco Avenue. That’s when we’d see old stone Provincial Jail and we children used to point and exclaim, “Ang palacio ni Yvonne!” We were referring to my Yaya Yvonne who had stolen some things from our house and ended up in the Provincial Jail of Cebu – the Carcel de Cebu. I used to feel sad that she had ended up there. She had after all taken care of me; she had even taught me to love raw green onions.
These memories were running through my head when I visited the old Carcel one January day, Sinulog week in fact, when traffic was impossible, and to my surprise discovered that the Carcel was walking distance from old Historic Cebu where I stay when I am in Cebu. I heard that the Carcel had been turned into a museum in August 2008, another welcome addition to the increasing cultural developments in Old Cebu. I was curious as I made my way to the place. I remembered it as a dreary place with gray walls and electrified barbed wire; it was near the old cemetery and the ice plant. It was heartening to see the pretty landscaping in front and the new signs announcing its respectable new name, Museo Sugbo. I liked the elegant ring of the name too – Museo Sugbu –which made me think of the Museo de Oro of Lima, Peru.
I stared at the clean walls of the Carcel, surprised that they were made of antique coral stone blocks after all. All my life, I thought it was made of cement that had turned dark and dingy. It was Jobers Bernales, Director of the Museum who explained that the walls had been stripped off its cement plaster to uncover the coral blocks, which probably came from Parian Church, a grand structure in historic Cebu, demolished in 1877-78 by the Bishop after a long battle with its parishioners. Indeed the Carcel displayed a Spanish Colonial look. Jobers explained that this was the look that Governor Gwen Garcia wanted when she envisioned the creation of the museum. The Provincial government developed and funds the museum.
The museum had been built in the tailend of the Spanish Occupation as a one-story building to house prisoners of the entire Visayas District, accounting for its fairly large size. Don Domingo de Escondrillas, the only Cebuano engineer-architect, designed it. The second floor was added during the American occupation. The Americans not only used the facilities for prisoners, but at some point used the place as horse stables. When the Japanese occupied Cebu, they used the Carcel to imprison guerrillas, the lucky ones who survived the torture they endured at the Cebu Normal School. When World War II ended, Cebuanos threw Japanese collaborators into the Carcel.
Steeped in this dark history, the Carcel should have been a depressing place but somehow the work done to the facilities – the chipping off the cement, the removal of extraneous rooms and shacks – erased any negative feelings of the place. The ten galleries surrounding a courtyard have a crisp solid look. The galleries are not huge; they are not crammed with a lot of artifacts, but there’s a respectful elegance in the display of the items that document Cebuano history on culture.
On the left near the entrance is one of my favorite galleries – the Pre-History Gallery. It gives visitors a good idea of how ancient Cebuanos looked like physically, the tattoos they had, what they wore, what tools they used, how they lived, as well as how they died. The Pre-History Galley has pottery shards, earthenware, ceramics, stoneware, shell beads, log coffins, and other funerary items. What caught my attention was a skull with pinprick holes on the forehead, possibly a result of syphilis, but more significant was the sloping shape of the forehead, indicating the person had undergone skull formation; the baby’s skull had been bound somehow to create the sloping elongation. The only other place I’d seen skull formation was in Peru’s National History Museum in Lima, where I saw elongated skulls and skulls with two large protrusions on top. It was interesting to relate the similarities of these two cultures.
The galleries unfold as if telling a story, and from the pre-Hispanic section, I climbed the steep stairs to the second floor with the Spanish gallery which shows
copies of the official appointment of Miguel Lopez de Legazpi as governor of Cebu, dated August 6, 1569; there is a copy of Legazpi’s letter to the King of Spain, dated May 27, 1565, the oldest letter to have been sent from the Philippines.
There is a Katipunan Gallery with an anting-anting vest as well as an anting-anting handerchief that belonged to Leon Kilat, a name I used to puzzle over whenever I saw his statue in Carcar. Born Pantaleon Villegas, he was the Katipunero who led the Cebuanos against the Spaniards in the Tres de Abril (April 3, 1898) Revolution. The story goes that the Spaniards had informed the Cebuano families that Carcar would be destroyed if they didn’t turn over Leon Kilat; the old families obliged by having Leon Kilat assassinated.
Another section that fascinated me was the National Museum Branch which has artifacts from recent excavations done in Plaza Independencia and Boljoon Church grounds. Most interesting are gold death facial covers, the skull on which these gold coverings were found, gold chain, a rare blue and white ceramic ewer, celadon ware, and a rare underglaze blue covered powder box decorated with a Chinese boy carrying a puppet. The gold death facial covers interested me most because I had also seen similar gold death masks and facial covers in Peru.
The other museum galleries include: the War Memorial Gallery; and memorabilia of Edward Sharp (a Thomasite), Justice Sotero Cabahug, Senator Vicente Rama, and Gregorio Abellana (a Katipunero). These galleries also document interesting periods of Cebuano history.
Jobers Bernales says the museum plans to add interactive facilities in the form of LCD monitors with videos in the prehistory and history galleries. They will be adding a changing gallery, which will showcase monthly or quarterly exhibits. There will also be a media gallery complete with old printers and broadcasting equipment. A gift shop and small café will be opened on the ground floor of the former bartolinas or isolation cells, near the old Spanish-period wishing well.
By August, the museum hopes to have a branch of the National Library, a multimedia library with internet facilities. Finally, once the twelve galleries are complete, Museo Sugbo plans to print a Museum Guide for Teachers, with lesson plans and questionnaire for classroom use.
By the time I leave the Museo Sugbo, any dread about the old Carcel has vanished and in its place I feel pride for my Cebuano heritage. The documentation of Cebuano culture and history in the Museo Sugbo validates what I had always known, what had always been there, but which had been ignored for so long.
The sad story of Yvonne’s Palace has been replaced with a story of hope.
~~~~
Bio:
Cecilia Manguerra Brainard is the award-winning writer and editor of two novels and over a dozen other books. She has a website at http://www.ceciliabrainard.com and a blog at http://cbrainard.blogspot.com
~~
Above photo above shows President Aquino and Gwendolyn Garcia
Manila, Cebuanos are paying attention.
A STORY OF HOPE
Cecilia Manguerra Brainard
Published in Zee Lifestyle, June 2010
My family called it, “Ang Palacio ni Yvonne - Yvonne’s Palace.” We used to drive by it most afternoons after Papa picked us up from our schools and took us on a ride. The route included a stop at the kiosk near Magellan’s Cross for Coca Cola and packages of M&Ms; a drive down the pier for fresh sea air; a stop at Monay’s Bakery for hot Pan Frances and Pan Monay; then the ride home down what is now M.J. Cuenco Avenue. That’s when we’d see old stone Provincial Jail and we children used to point and exclaim, “Ang palacio ni Yvonne!” We were referring to my Yaya Yvonne who had stolen some things from our house and ended up in the Provincial Jail of Cebu – the Carcel de Cebu. I used to feel sad that she had ended up there. She had after all taken care of me; she had even taught me to love raw green onions.
These memories were running through my head when I visited the old Carcel one January day, Sinulog week in fact, when traffic was impossible, and to my surprise discovered that the Carcel was walking distance from old Historic Cebu where I stay when I am in Cebu. I heard that the Carcel had been turned into a museum in August 2008, another welcome addition to the increasing cultural developments in Old Cebu. I was curious as I made my way to the place. I remembered it as a dreary place with gray walls and electrified barbed wire; it was near the old cemetery and the ice plant. It was heartening to see the pretty landscaping in front and the new signs announcing its respectable new name, Museo Sugbo. I liked the elegant ring of the name too – Museo Sugbu –which made me think of the Museo de Oro of Lima, Peru.
I stared at the clean walls of the Carcel, surprised that they were made of antique coral stone blocks after all. All my life, I thought it was made of cement that had turned dark and dingy. It was Jobers Bernales, Director of the Museum who explained that the walls had been stripped off its cement plaster to uncover the coral blocks, which probably came from Parian Church, a grand structure in historic Cebu, demolished in 1877-78 by the Bishop after a long battle with its parishioners. Indeed the Carcel displayed a Spanish Colonial look. Jobers explained that this was the look that Governor Gwen Garcia wanted when she envisioned the creation of the museum. The Provincial government developed and funds the museum.
The museum had been built in the tailend of the Spanish Occupation as a one-story building to house prisoners of the entire Visayas District, accounting for its fairly large size. Don Domingo de Escondrillas, the only Cebuano engineer-architect, designed it. The second floor was added during the American occupation. The Americans not only used the facilities for prisoners, but at some point used the place as horse stables. When the Japanese occupied Cebu, they used the Carcel to imprison guerrillas, the lucky ones who survived the torture they endured at the Cebu Normal School. When World War II ended, Cebuanos threw Japanese collaborators into the Carcel.
Steeped in this dark history, the Carcel should have been a depressing place but somehow the work done to the facilities – the chipping off the cement, the removal of extraneous rooms and shacks – erased any negative feelings of the place. The ten galleries surrounding a courtyard have a crisp solid look. The galleries are not huge; they are not crammed with a lot of artifacts, but there’s a respectful elegance in the display of the items that document Cebuano history on culture.
On the left near the entrance is one of my favorite galleries – the Pre-History Gallery. It gives visitors a good idea of how ancient Cebuanos looked like physically, the tattoos they had, what they wore, what tools they used, how they lived, as well as how they died. The Pre-History Galley has pottery shards, earthenware, ceramics, stoneware, shell beads, log coffins, and other funerary items. What caught my attention was a skull with pinprick holes on the forehead, possibly a result of syphilis, but more significant was the sloping shape of the forehead, indicating the person had undergone skull formation; the baby’s skull had been bound somehow to create the sloping elongation. The only other place I’d seen skull formation was in Peru’s National History Museum in Lima, where I saw elongated skulls and skulls with two large protrusions on top. It was interesting to relate the similarities of these two cultures.
The galleries unfold as if telling a story, and from the pre-Hispanic section, I climbed the steep stairs to the second floor with the Spanish gallery which shows
copies of the official appointment of Miguel Lopez de Legazpi as governor of Cebu, dated August 6, 1569; there is a copy of Legazpi’s letter to the King of Spain, dated May 27, 1565, the oldest letter to have been sent from the Philippines.
There is a Katipunan Gallery with an anting-anting vest as well as an anting-anting handerchief that belonged to Leon Kilat, a name I used to puzzle over whenever I saw his statue in Carcar. Born Pantaleon Villegas, he was the Katipunero who led the Cebuanos against the Spaniards in the Tres de Abril (April 3, 1898) Revolution. The story goes that the Spaniards had informed the Cebuano families that Carcar would be destroyed if they didn’t turn over Leon Kilat; the old families obliged by having Leon Kilat assassinated.
Another section that fascinated me was the National Museum Branch which has artifacts from recent excavations done in Plaza Independencia and Boljoon Church grounds. Most interesting are gold death facial covers, the skull on which these gold coverings were found, gold chain, a rare blue and white ceramic ewer, celadon ware, and a rare underglaze blue covered powder box decorated with a Chinese boy carrying a puppet. The gold death facial covers interested me most because I had also seen similar gold death masks and facial covers in Peru.
The other museum galleries include: the War Memorial Gallery; and memorabilia of Edward Sharp (a Thomasite), Justice Sotero Cabahug, Senator Vicente Rama, and Gregorio Abellana (a Katipunero). These galleries also document interesting periods of Cebuano history.
Jobers Bernales says the museum plans to add interactive facilities in the form of LCD monitors with videos in the prehistory and history galleries. They will be adding a changing gallery, which will showcase monthly or quarterly exhibits. There will also be a media gallery complete with old printers and broadcasting equipment. A gift shop and small café will be opened on the ground floor of the former bartolinas or isolation cells, near the old Spanish-period wishing well.
By August, the museum hopes to have a branch of the National Library, a multimedia library with internet facilities. Finally, once the twelve galleries are complete, Museo Sugbo plans to print a Museum Guide for Teachers, with lesson plans and questionnaire for classroom use.
By the time I leave the Museo Sugbo, any dread about the old Carcel has vanished and in its place I feel pride for my Cebuano heritage. The documentation of Cebuano culture and history in the Museo Sugbo validates what I had always known, what had always been there, but which had been ignored for so long.
The sad story of Yvonne’s Palace has been replaced with a story of hope.
~~~~
Bio:
Cecilia Manguerra Brainard is the award-winning writer and editor of two novels and over a dozen other books. She has a website at http://www.ceciliabrainard.com and a blog at http://cbrainard.blogspot.com
~~
Above photo above shows President Aquino and Gwendolyn Garcia
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
Wednesday, January 9, 2013
VISITING THE AMERICAN SOUTHWEST, by Cecilia Manguerra Brainard
VISITING THE AMERICAN SOUTHWEST
by
Cecilia Manguerra Brainard (www.ceciliabrainard.com)
published by The Freeman and PhilStar.com, December 30, 2012
IN THE FALL, the weather turns and
even in California, the summer-sizzle ends and cooler temperature sets in. My husband
and I like to take a driving vacation during this time. Driving gives one the
opportunity to see the subtle changes of the land as one goes north or east, or
up the mountains or across wide plains of deserts. One is able to see and feel
the land better.
At this time of the year, places are not as crowded because children are back in school, and the changing of the season is lovely to see in forests and fields away from the city.
At this time of the year, places are not as crowded because children are back in school, and the changing of the season is lovely to see in forests and fields away from the city.
This year we visited Utah, Colorado,
New Mexico, Nevada, and Arizona, states that are part of the American Southwest,
an area famous for its diversity and stunning scenery.
In Utah, we saw the famous National
parks with thousands of acres of land, kept pristine and safe from the crowds
and pollution of cities. Zion, Bryce, and Arches -- each of these National
Parks boasts natural rock formations that had been created over time by
glaciers and rivers and earth movement, showing fantastic shapes and
coloration. In Zion Canyon, you generally look up at cliffs and peaks and
mountains, with names such as The Three Patriarchs, Checkerboard Mesa, and The
Great White Throne. In Bryce you look down at what look like sand castles,
except that the formations are made of rocks the size of mountains. And Arches got its name from the numerous of sandstone
formations shaped like arches. Despite the chill, it was a wonderful
opportunity to take walks along rivers and in meadows and to see wild animals
in their natural habitat.
In Colorado, we spent a few days in Durango,
a small city with a population of only around 17,000 people. The city has a lovely
historic district and an old-fashioned steam engine train (Durango-Silverton
Narrow Gauge train) that we took to the silver mining town of Silverton. Durango
is the kind of place I like, small but with “attitude.” It has Fort Lewis
College and many buildings from the 1800s during the time of the Westward
expansion. The movie Butch Cassidy and
the Sundance Kid was filmed just north of Durango at Baker’s Bridge. The
city has built a most charming walkway along both sides of the Animas River
that cuts through the city. The leaves were turning when we were there, and the
cottonwood trees were blazing gold along the riverbanks. They say that cottonwood
grows where there is water and cottonwood sightings were therefore welcome in
the olden days of settlers traveling far.
In Colorado we visited the Mesa
Verde National Park which has hundreds of ancient Indian cliff dwellings. Ancestral
Pueblo Indians who had lived for 600 years moved their pueblos to the caves and
alcoves beneath the overhanging cliffs.
They thrived in this area from the late 1190s to the 1300s. A
twenty-three year drought forced the ancestral people to move to other places
with water, leaving behind their cliff dwellings, some of them surprisingly
intact.
From Colorado, we moved on to New
Mexico which I enjoyed. New Mexico still retains a lot of the Spanish Colonial
influence, and is therefore familiar to me.
I’m referring to the Catholicism that is strong in this place, and to
the folkloric Spanish-Mexican artifacts around. There are, for instance, quite
a number of retablos around, some of them looking very much like the antique
retablos of the Philippines.
I didn’t know this until I was there
but there is a connection between New Mexico and the Philippines. From the
sixteenth century to the nineteenth century, New Mexico was part of the Spanish
empire as the Philippines was, accounting for the familiar Spanish Colonial
culture lingering in both places.
Further, because of the Spanish
influence in New Mexico and because many New Mexicans spoke Spanish, New
Mexicans were sent to the Philippines during World War II. One thousand eight
hundred New Mexicans went to the Philippines as members of the New Mexico
National Guard 200th coastal artillery. Many of them died during the
Bataan Death March. Less than half survived to return to New Mexico.
I had another reason to want to
visit Santa Fe, a personal one. In 2008, a curator of a museum in New Mexico had
contacted me and he acquired an antique silver rosary, part of my Spanish
Colonial collection of Rosaries. My husband and I made it a point to visit the
New Mexico History Museum, which displays the rosary near the entrance of the
main exhibition. It was good to see this particular silver rosary once again;
it was a prized one, dating to the 1700s, and made of fine silver filigree.
The
churches in the Santa Fe and Taos areas enthralled me with their use of adobe
and folkloric elements. Adobe uses sun-dried clay bricks mixed with grass and
mud as mortar. Adobe architecture was evident in the Chapel of San Miguel in
Santa Fe; this was built approximately 1610-1626 and is reportedly the oldest
church in the United States. The church is decorated with colorful, folkloric
elements giving the church an intimate and charming feeling.
Around thirty minutes drive from
Santa Fe is a small town called Chimayo, famous for its Santuario de Chimayo
that is known as the “Lourdes of America.” It is said that a miraculous
Crucifix was found in the area in 1810. The Crucifix was placed in the nearby
church of Santa Cruz, but the next day, the Crucifix would disappear and be
found in Chimayo. This went on for several times until the priest understood
that the Crucifix wanted to be housed in its own church in Chimayo. The Crucifix
still stands in a small church. What is unique about this church is the small
room off the altar with a pit filled with “holy dirt” that is said to be
miraculous. The nearby hallway is filled with crutches, wheelchairs and other
evidence of divine healings. The Santuario has other prayer areas in its
complex, including a chapel to the Santo Niño. Thousands of pilgrims crowd
Chimayo during Lent.
In Taos, we saw the San Geronimo
Chapel in the centuries-old pueblo, another lovely, small adobe church. And
also in Taos is the San Francisco de Asis Mision Church, called by the artist
Georgia O’Keefe as “one of the most beautiful buildings left in the United
States by the early Spaniards.” Built between 1813 and 1815, it is made of
adobe with twin bell towers and an enclosed courtyard, and was also much
admired by famous photographers Ansel Adams and Paul Strand.
I found the Santuario de Chimayo
and San Francisco de Asis Mission to be very spiritual places, very relaxing
and conducive to prayer.
The church which was not made of
adobe was the large Cathedral of St. Francis of Assisi in Santa Fe, which has
Romanesque features. This cathedral was built in the early 1800s on the site
where an original adobe church had stood. Outside the Cathedral was a statue of
St. Kateri Tekakwitha who was canonized at the same time as our own Cebuano
saint, Pedro Calungsod. We had fun standing in front of the statue of this
Native American saint and listening to a guide talking about the canonization
going on at that moment in Rome; it made me feel connected to the religious
events in Rome.
We also visited the Loretto
Church in Santa Fe, although this church has been deconsecrated and it operates
more as a tourist site for commercial reasons. Still, the spiral staircase
inside this church is a beauty; this was reportedly built by a mysterious
carpenter.
We made other stops during our
driving vacation: Sedona in Arizona, which I found very commercialized now
compared to what it had been a number of years ago; Las Vegas, where we did a
bit of gambling and saw the Beatles Love performance by the Cirque du Soleil.
But the highlight of my trip was Santa Fe and Taos in New Mexico, the sights
and feelings of which will linger with me for the rest of my life.
-end-
~~~
Pictures: From top to bottom: Bryce, Arches, Narrow Gauge Train, Animas River, Mesa Verde (2 pics), antique silver rosary, Cecilia in Taos Pueblo, Chimayo, Lauren in front of San Miguel, San Geronimo, San Francisco, Cathedral of St.Francis Assisi, Loretto.
~~~
Pictures: From top to bottom: Bryce, Arches, Narrow Gauge Train, Animas River, Mesa Verde (2 pics), antique silver rosary, Cecilia in Taos Pueblo, Chimayo, Lauren in front of San Miguel, San Geronimo, San Francisco, Cathedral of St.Francis Assisi, Loretto.
~~~
Cecilia Manguerra Brainard's official website is ceciliabrainarddotcom. She is the award-winning author and editor of 22 books, including When the Rainbow Goddess Wept, The Newspaper Widow, Magdalena, Selected Stories, Vigan and Other Stories, and more. She edited Growing Up Filipino 1, 2, & 3, Fiction by Filipinos in America, Contemporary Fiction by Filipinos in America, and other books..
Her work has been translated into Finnish and Turkish; and many of her stories and articles have been widely anthologized.
Cecilia has received many awards, including a California Arts Council Fellowship in Fiction, a Brody Arts Fund Award, a Special Recognition Award for her work dealing with Asian American youths, as well as a Certificate of Recognition from the California State Senate, 21st District, and the Outstanding Individual Award from her birth city, Cebu, Philippines.
She has lectured and performed at UCLA, USC, University of Connecticut, University of the Philippines, PEN, Shakespeare & Company in Paris, and many others. She has served in the Board of literary arts groups such as PEN, PAWWA (Pacific Asian American Writers West), among others.
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